It’s been a long week, and I always kept my eyes open for good weekend Chinglish to share
Without further ado:
Some grassy poetry
I am so ready for the dribbling!
Lastly, while this is not Chinglish I do find it both amusing and amazing. A bootleg Wonder Woman Lego figure, and they seem to have gotten something wrong about those Marvel-Avengers films…
Hi there fellow bloggers and writers,
Do you have anything interesting on the horizon you’d like to promote? Do you have a backstory worth telling, and some good advice on the craft of writing?
Then I just may like to interview you.
For the sake of new content, mutually satisfying co-promotion, and of course always looking for something cool to read/write, I have decided to utilize my finely-tuned journalism skills yet rarely honed of late and post more interviews here.
Previous interviews, both the newspaper sort and those concerning myself, can be read at this link:
https://rayhecht.com/category/interviews/
What do you think? Don’t be shy! Please hit me up via email and let’s share and share alike
rayhecht@gmail.com
Not that it’s technically Chinglish, but yuch. Just yuch.
And here’s a random sign–
Despite the disappointing ‘comic con’, my little trip to Guangzhou wasn’t a total waste. In fact, I had a great time. It’s an amazing city, even bigger than the already-overwhelmingly mega cities of Shenzhen and Hong Kong. I recommend Turkish restaurants for example…
We decided to head to the Redtory/红专厂 art district, to showcase the lovely artistic side of the city. Like 798 in Beijing, it is made up of a former factory that has been refurnished into a space for galleries and hip little coffee shops. While Beijing’s version is far more successful and artistically valid, we make do with what we can in the Pearl River Delta.
http://www.redtory.com.cn/english
To get there, simply go to Yuancun station and right outside exit B there is a shuttle bus which only costs 2 yuan. Drive through an urban village area, it’s a little out there, but transportation is very convenient.
Open 7:00 a.m. to 11:00 p.m.
And then we made it!
Looks like a lot going on:
There was a quaint market, always fun to buy little trinkets and gifts.
Take a stroll to see the various shops.
Even some factory-themed readymades.
With many galleries featuring powerful works of painting, photography, and sculpture
916 Studio: The Persistence of Images curated by Wang Chuan
RMCA Hall: Black Birds exhibition by Israeli artist Avital Cnaani
The Redtory Museum of Contemporary Art featured an exhibit on “Neo-Mororism”
Tickets only 10 yuan
Lastly, I love this little mascot guy posted all over the place!
Hey, just because I’m taking it easy with blogging (am I really?) doesn’t mean no more Chinglish!
A bit from my Guangzhou trip:
As a vegetarian I find it very offensive to eat a pig bag
Simple, accurate, but I find funny for some reason
Just at a restaurant-pub. Listen to the boss!
One of the things I’ve missed out on by living in China is the glory of comic conventions. I went to the San Diego con — biggest in America, a number of times. I used to go to small ones in Cincinnati. Buy discount bundles of comics, get some signed by artists and writers. In San Diego, of course, many big-time celebrities to gawk at. Pretty much the funnest thing there is to do.
I did go to an animation festival in Shenzhen a few years back, and it was fun. Students making CGI films, Japanese manga translated into Chinese. But no Western comics.
With the popularity of the Marvel films all over the world, Wizard World — and I’d gone to a Wizard World in Chicago back in the day — decided to host their first convention in China at the nearby city of Guangzhou. Imagine my pleasure at hearing this!
Then imagine my extreme disappointment when I went last month and it was an abyssmal failure. 😦
Now, I didn’t expect much. Wizard World Guangzhou was beaten by the Shanghai comic con, and the reviews weren’t great. Just a bit of cosplay, toys to buy, and very little actual comics to purchase but apparently at least a few. As Marta Lives in China had written about: https://martalivesinchina.wordpress.com/2015/05/18/shanghai-comic-con/
What a long story the failure of the Guangzhou con. Where to even start?
Only a few days before schedule I’d suddenly heard that they changed venues. Guangzhou, host city of the large scale international Canton Fair, should know how to do big events. China has trade conventions all the time; I’ve been to many. Yet the new venue was suspiciously small. Apparently they built a big tent or something.
We arrived Saturday in the afternoon, and heard from friends that they’d been waiting in line in the scorching heat for several hours. Two Americans in China has more details here: http://www.twoamericansinchina.com/2015/05/the-big-con-nightmare-guangzhou-comic-con.html
Nothing but long lines. Hours and hours of this. We decided to go eat nearby, in no hurry to join the lines and wait, and gather some intel.
Finally, after hours of walking in circles just wondering if the line was even moving, the story had been pieced together. Turned out the the original venue had backed out. There were rumors they wanted to overcharge the westerners at the last minute, and/or they double-booked. Probably another stupid boring trade show about cell phone parts or something. Gosh forbid they do an exhibition with some culture.
Fanstang, the incompetent Chinese-based organization working with Wizard World (and Wizard bears responsibility too), only had time for this very small alternative location. Seemed all the vendors were cancelled. Couldn’t even buy a dang T-shirt. I never did get to see the inside, but a few others had and said it was extremely disappointing.
The only discernible point of this thing was to look at a few celebrities.
I felt silly taking pics with the crowd, but what else was there to do?
This guy is Stefon from Vampire Diaries, so I’m told. Paul Wesley.
The bald guy walking away is, believe it or not, is Dominic Purcell the older brother from Prison Break.
And this girl on the right walking away is Skye from Agents of S.H.I.E.L.D., which I don’t watch. Actress Chloe Bennet.
And that is unfortunately all I got.
The biggest name was Lee Pace, Thranduil from the Hobbit and Ronan from Guardians of the Galaxy. Whatever.
I took these pictures when the celebrities were leaving. It was scheduled until 6:00, I figured the last hour or so could be enjoyed there, but at 4:00 the stars got fed up and left. It was over.
The remaining crowds were not happy. It was very difficult to get a straight answer about refunds. Finally, an American in charge told me the rest of the story. The police wouldn’t let the people in, as there were something like 7000 tickets sold but the venue could only hold several hundred people. Yes, that big a discrepancy. Only “VIP” tickets would be let in the next day, which cost 500 yuan, and absolutely not worth it. They were still figuring out details on regular-priced ticket refunds and sending signed autographs or something.
In the end, what a clusterfuck. An epic China fail if ever there was one.
What bothers me the most is how much it embarrasses China. Talk about losing face. All these celebrities, who have much social capital, are left with a terrible impression of doing business in China. These people are not impressed with Guanghzou. If this worked it could have been a lot of fun for fans and opened up Western pop culture to this grand country. Instead, it reinforced the worst examples of how China is not quite yet ready to be a modern country. I’m very sorry about that, but what other conclusion can be drawn? It’s true.
The lesson is to tread carefully in China, and don’t have high expectations.
That said, with my low expectations we still had some fun in China.
Sorry, no comics-related update this Monday. All finished. It’s a new month at that. A fine welcome to the warming season to you all.
Here I am with this post, and I’d like to briefly go over the future of the blog…
Life hasn’t been letting up, and there’s been a lot keeping me busy. I hope to focus my energies on upcoming writing projects, new fiction and a bit of journalism. Something’s gotta give, and now that I’ve completed my comics fandom I may have to take a break from regularly-scheduled themed postings.
There will be the occasional interesting update about my life, China-related and otherwise. Stay tuned for news of a certain disappointing convention in Guangzhou, for example.
…
Moreover, next month my novel South China Morning Blues will be published.in Hong Kong! Thanks to the good people at Blacksmith Books. I’m trying to play it cool, but in fact that is quite the dream come true. And with that will come endless self-promotion.
Prepare for forwards of reviews, pictures of me at literary events, and plenty of general getting-the-word-out. That’ll be my content for a while yet.
Hope you enjoy my tale of expat opera and postmodern locals. Happy summer. Don’t melt.
(The following is a working cover)
http://www.amazon.com/South-China-Morning-Blues-Hecht/dp/9881376459
From Canton to Hong Kong, the booming megalopolis of the Pearl River Delta has endless stories to tell. Who finds themselves in rapidly changing 21st-century China? There’s Marco, a businessman with a penchant for call girls; Danny, a culture-shocked young traveler; Sheila, a local club girl caught up in family politics; Terry, an alcoholic journalist; and Ting Ting, an artist with a chip on her shoulder. Their lives intertwine in unexpected ways.
Beginnings:
Eras:
Favorites:
Indie:
World:
Authors:
My epic summary of all my favorite comics has now concluded.
I shall now epilogue this blog series with a simple post about what I am currently reading.
In the end, I hate to say it, it’s still kinda about Marvel vs. DC.
Consider that both mainstream superhero comics are simultaneously promoting very similar continuity-rebooting crossovers about alternate universe locales being stolen away and various versions of characters fighting each other: Secret Wars and Convergence.
I got a free preview for Secret Wars. Now all the universes are dying, and the Ultimate and 818 will combine! Or something. I do like Jonathan Hickman and followed his Avengers run, which all led up to this. Guess I’ll do the graphic novel eventually…
Convergence is interesting, in that it’s less of a big deal but it includes callbacks to DC eras I once enjoyed and now miss. Specifically the pre-52 DC of the 90s and 2000s! I do love that Wally West is the Flash and has a family, and Clark Kent is married to Lois Lane (by Dan Jurgens no less). What can I say? I’m sappy that way sometimes.
Also, I’ll definitely be reading New Teen Titans by Marv Wolfman and Nightwing/Oracle by Gail Simone.
Speaking of DC and parallel Earths, Grant Morrison on Multiversity. I finally completed the story with the final issues and they are very, very good. Not Morrison’s best, but what could ever be that brilliant? Fun cosmic action as only he can do it, of course with many metafictional elements. One of the best things is that it’s self-contained without requiring endless crossovers to tell the story of Ultra and multiple Supermen against the archetypal hordes of cynicism. Perhaps there will be a sequel but I hope it doesn’t take too many years to come out.
Speaking of brilliant, the highly literary League of Extraordinary Gentlemen by Alan Moore and Kevin O’Neil. I want to round out the Nemo trilogy with River of Ghosts. It’s already been out but I haven’t gotten the chance to purchase it yet. Damn you Hong Kong comic shops last week! After tthis hat, perhaps no Moore comics for another decade. So story of Captain Nemo’s daughter in Nazi South America better be good.
Speaking of acclaimed British authors, Neil Gaiman. Sandman Overture, the late update to the 90s classic, has been coming out very slowly. The incredible art by J.H. Williams is worth it, but I may be regretting already buying the individual issues and not waiting for the inevitable reprint. Dreams, dreams, dreams.
And speaking of Vertigo: Fables. The long-running series about fairy tale people hiding out in modern New York — the greatest currently published by DC/Vertigo — is ending after all these years. The trade paperback editions actually sell more than the magazine issues, so the final issue 150 will apparently also be a full graphic novel volume 22. That’s an amazing idea. But will take until late July to be completed by artist Mark Buckingham.
Whatever will happen to Snow White and rivalrous sibling Rose Red and the Camelot metaphor? I’m dying to know. Writer Bill Willingham hasn’t been apprehensive about killing off a lot of major characters; anything could happen.
So good, I even got my girlfriend to become a Fables fan.
Meanwhile, I’m catching up on spinoffs like Fairest.
Can’t leave out my favorite Shonen Jump manga One Piece! By the hilarious Eiichiro Oda, Volume 74 has been released for over a month, how can I be so late?! Super stretchy pirate Luffy in the tournament and fighting against warlord Doflamingo must be one of the great all-time manga climaxes. Dressrosa, what a country. I heard a certain guy from Luffy’s past isn’t dead after all. I. Need. To. Read. Now.
All you people reading the scans are way ahead and even the anime is past that, yet I still insist on supporting the official Viz translation.
And that’s it. Those are the comics I currently read.
(At least the ones I buy. No comment on pirated online and such.)
Thanks for following along with my blog, all you comics fans out there! It was fun sharing, and even if you aren’t a fan I hope I introduced you to some possibilities of new reading materials. Read and read alike, it’s good for you 🙂
After a too-long hiatus, here are a few signs from a garden complex near my home:
And some various shops,
Cheers to all!
https://thenanfang.com/book-review-one-dress-buy-dragonfruit/
How Does One Dress to Buy Dragonfruit? True Stories of Expat Women in Asia is a new book that explores the feminine side of expat life. Edited by Shannon Young, the anthology covers the stories of 26 women, mostly split between Hong Kong and Japan (from Tokyo to Fukushima), and differs from most travel memoirs by giving new perspectives to Westerners in Asia.
The first, “Forwarding Addresses,” concerns shopping for tropical fruit and coins the title of the entire book. Written in letters, Shannon Dunlap describes her time in Cambodia and the difficulties in learning to speak rudimentary Khmer. The author even recognizes her own privilege in being able to already speak English, and at least she tries to adapt to local customs.
“The Weight of Beauty” by Dorcas Cheng-Tozun takes place in Shenzhen. Again about language, but this time concerning the plight of being a Chinese-American fluent in Cantonese but not Mandarin. It’s not easy to look like everyone else and be judged for not speaking the common tongue, something white expats don’t have to deal with. Cheng-Tozun decides to take a language class, and finds an empathetic connection by discussing life’s tragedies with her teacher.
Stephanie Han is another displaced Asian (ethnically Korean) and authors “Happy Anniversary.” Taking place in the important year of 1997 in Hong Kong, Han is able to eavesdrop on racist rants from the British. A romance in the second-person, she eventually grows past the anxieties of being a nationless expatriate.
“Jewish in China” by Eva Cohen also explores various ethnic combinations. Jews in China are often told they are “so smart and so good at business”, as this writer can attest to. During a Passover sedar, Cohen meets a Chinese professor of Jewish studies with an incredible background. The professor has even published works about the Jews of Kaifeng.
“Huangshan Honeymoon” by blogger Jocelyn Eikenburg concerns interracial marriage and her disappointing honeymoon in Anhui, with a father-in-law and rainy weather interrupting the expected majestic scenery. Chinese husbands are big on filial piety. It’s a challenge, as Eikenburg reflects on the early days of the relationship back when her to-be husband’s father was against their dating, but in the end she feels closer than ever to her new family.
Susan Blumberg-Kason, author of the memoir Good Chinese Wife, lived in Hong Kong in the 90s, and recently returns in “Ninety Minutes in Tsim Sha Tsui” to reflect over some very personal memories, such as receiving news that her Chinese husband at the time had given her an STD. It continues with a one-time meeting of her then-husband’s ex-wife. Don’t we all all wish we could go back and give our younger selves advice?
“Cross” by Safron Marchant shows a deeper side to the themes of pregnancy and motherhood. Marchant tries to start her own family by way of fertility treatment in Hong Kong. The trials are very tough; hormones and clinic visits can be devastating. “Here Comes the Sun” by Leza Lowitz rounds out the theme of motherhood. It’s never easy, as Lowitz fails at pregnancy and goes through the complex process of adopting in Japan. It is heartwarming at the conclusion, with the new mother’s efforts finally rewarded.
Some stories are not as strong as others, which is part of the deal when it comes to anthologies. From getting pregnant in Vietnam to retiring in Malaysia, busing in Bangkok, and vacationing in Mongolia, the range of writing styles and scenes are very diverse.
How Does One Dress to Buy Dragonfruit? is recommended for both men and women. Anyone interested in travel, immigration, women’s issues, and simply human stories will easily find something interesting within this anthology.
Now available at bookstores in Hong Kong and on Amazon.
In one of my last comics-themed posts, I would like to round it out with my forays into European comics.
Let’s not forget there is a whole planet Earth of this medium. There’s Japan, obviously!
Interestingly, Scott McCloud in the brilliant essay Understanding Comics studied the basic underlying structure to Western and Eastern sequential art forms. McCloud concluded that American and European storytelling is fundamentally the same even if the subject matter varies; while Japanese comics from romance to space opera use an altogether different mindset of “directing” techniques.
Anyway: America tends to get the most attention with all the expensive superhero movies these days. But for decades the problem in the West was that comics were assumed to be for children and not given serious thought by social critics.
Meanwhile in Europe, graphic novels have had a strong tradition of recognition by adults and kids for decades. It’s that avant-garde sentiment, y’know.
Firstly, Great Britain. Those originators of the English language tend to be better at writing in general. Ever noticed that? All the great writers are British, from Shakespeare to Vertigo and Image. They called it the British Invasion, the comics version not the rock version, ’twas the 80s not 60s. (Like rock music, America invented it and the British improved it.) As I’ve written about extensively.
What I haven’t mentioned in those extensive writings is the sci-fi anthology series 2000 A.D. Almost everyone, from Moore to Morrison, got their start there. I’ve read the occasional B&W shorts in reprint form.
Furthermore, if I am getting into 2000 A.D. then I must get into Judge Dredd.
Yes, the Stallone movie was awful. Sorry about that. However the 2012 film was quite good.
What you may not know is that the comic is legendary. Going all the way back to 1977, the fascistic judge has had a prolific career. Written by John Wagner, the saga of Mega-City One is one of the most hardcore dystopias ever portrayed in fiction. I came across the graphic novel Tour of Duty, and was impressed enough to go back and read a whole lot. That good. Robot Wars, Cursed Earth, Judge Death, The Apocalypse War, Day of Judgment. Lots of mutants and genocide and critiquing the American dream and so forth, ain’t no harsher more biting stories than those. Dredd is the quintessential outsider’s take on Americana, and what a take those Brits can scribe.
Then there’s the continent. The French-speaking world in particular.
Belgium is famed for Tin Tin by Hergé. Even living in China, I found some English-translations of the classic albums. European comics tend to come in a certain oversized slim album-sized editions.
It’s fun and all, as Tin Tin and Snowy traverse the world. But wasn’t my favorite. Stories like The Blue Lotus are a bit racist, admittedly. Won’t even get into the African stuff.
I’d recommend The Secret of the Unicorn and Red Rackham’s Treasure because of the very fine 2011 Spielberg animated film.
My favorite French comic ever would definitely be Asterix.
Luckily, I happened upon the Shenzhen Children’s Library which contains a great collection of the albums. Free to borrow! I must have read about twenty. Written by René Goscinny and illustrated by Albert Uderzo, the complete series is totally funny and hold up well today.
Many of the best hail from the 1960s and 70s. Asterix and Cleopatra, Asterix at the Olympic Games, Asterix and the Roman Agent, The Mansion of the Gods, The Great Crossing. Gotta love that Obelisk, and I wish I could get ahold of some potion…
I even found some second-hand Smurfs comics in Shenzhen. Also from Belgium, by Peyo. Not bad, and very nostalgically indicative of the 1980s Hanna-Barbera cartoon from my childhood. Read a couple of them in English, and the library even has plenty translated in Chinese so as I can brush up on my 中文.
“La la la la la la. la la la la laaaa!”
Hey, didn’t I say European comics were for grownups?
https://www.goodreads.com/review/list/765636-ray?shelf=warren-ellis
That’s just a blurry pic I took at Comic Con ’07 or ’08. He is SO funny in person.
Warren Ellis is a damn interesting writer.
He’s British, smart, and touches on occulty themes, and yet he was not part of the original 90s “British Invasion” of comics writers such as Alan Moore, Neil Gaiman, and Grant Morrison.
His work is violent, intelligent, sometimes dark, with a wicked sense of humor.
In my youth I read some of his Marvel work, like Thor and British X-spinoff Excalibur. I had mixed feelings, because it was that kind of “grim and gritty” style of postmodern comics. Ellis, similar to another (Irish) writer Garth Ennis, clearly hates the superhero genre. He has no use for it, other than a method of making a living sellilng comic scripts. In a perfect world these authors could do other genres without having to slum it among the capes. So they write heroes, all the while cynical and despising what heroism stands for. Still, makes for interesting stories at times.
Warren Ellis is a much sought-after writer for both DC and Marvel, but he rarely does mainstream work anymore. And that’s good.
I became a real fan of the Wildstorm era. Wildstorm, if you recall, was Jim Lee’s company within Image Comics, after all the big name stars left Marvel in the early 90s. Those early comics more than often shit, but Lee ended up with more staying power than, say, Rob Liefeld.
One of those Wildstorm books happened to be Stormwatch, which wasn’t anything great. Seemed another overblown X-Men rippoff about a government team or something. Warren Ellis came upon the title with little fanfair, and it soon gained critical acclaim. No one saw that coming.
I missed it the first time around, but around the mid-2000s I was ruffing it in Los Angeles and enjoyed going to a downtown library. They had an extensive graphic novel collection. I had little money and lots of free time. So I decided to catch up and see what I’d been missing.
Stormwatch was cool, but eventually all the characters were killed off and something new came along: Authority. That’s what it was truly all about.
Authorty, illustrated by Bryan Hitch (of Ultimates fame) was one of the first “widescreen” comics. Every issue was epic. It starred Apollo and Midnighter — a gay version of Superman and Batman, and Jenny Sparks the spirit of the Twentieth Century. Unapologetic in its epicness, they fought gods and aliens and were always high-level high-concept.
Moreover, Warren Ellis’s greatest legacy would be Transmetropolitan. Those graphic novels I ever so cherished, as they kept me going during my starving artist years…
Published by Vertigo, and that’s more like it. Actually was originally published by DC’s “Helix” imprint, but that went under and only Transmetro remained to become one of Vertigo’s most successful.
The story of gonzo journalist Spider Jerusalem in that Hunter S. Thompson vein, but in an unidentified bizarre sci-fi future. There were crazies with alien DNA, a Nixonian character affectionately referred to as “the Beast”, and an even worse President called the “Smiler.”
Each issue punched you in the face and laughed loudly while doing that. Anarchy and journalistic integrity and weird post-science concepts. At 60 issues, by far a record for Ellis. Well done, sir.
In the 2000s Ellis continued with some Marvel projects in the midst of the more mature Quesada era. These weren’t quite rated R books from Image or Vertigo, but better than anything else out.
Nextwave Agents of H.A.T.E. was a cult hit, full of B-list characters like Machine Man and Boom Boom fighting against the Beyond corporation’s ‘Unusual Weapons of Mass Destruction.’ H.A.T.E. being a hilariously biting satire of S.H.I.E.L.D. The whole comic was full of pithy one-liners, nothing else like it from Marvel. First arc was about the dragon Fin Fang Foom and had many comments about purple underpants and lack of genitals. Only lasted 12 issues, which is unfortunately typical for Ellis.
Delicious art by Stuart Immonen.
Meanwhile at Marvel, Mr. Ellis wrote the Iron Man: Extremis storyline. You may recognize the nanotechnological elements in the film Iron Man 3, based off the comic.
Outside of the superhero world, we have Fell. This award-winning comic simpler in scope, starring detective Richard Fell in a very dark crime drama.
There were other little books here and there I read, miniseries from Image and Wildstorm post-bought out by DC.
Global Frequency, pretty cool. Typical Ellis, an elite team of agents fighting the secret forces of incomprehensible technology and great mysteries (un)revealed at the end.
Ministry of Space, an alternate reality take on what if proper British gentlemen won the space race.
Red, more spies. The bad movie was based off that, sorry.
Supergod, apocalyptic religious-transhumanist themes published by Avatar Press. I’d recommend a lot of his latter years work from Avatar.
Yet even Warren Ellis sometimes misses the mark. Personally, I had to give up on the webcomic FreakAngels
The ultimate Warren Ellis opus would absolutely have to be Planetary: Continue reading
Ray-Comics 