Always Goodbye: the graphic novel

https://www.amazon.com/Always-Goodbye-Ray-Hecht-ebook/dp/B07ZYFRYJK

 

I am proud to announce that my graphic novel Always Goodbye has now been published by TWG Press, and for a special promotion this week it is free to download for the Kindle app!

Please enjoy, and of course if you like you can share and review and just plain tell me what you think ~

 

Synopsis:


Life can take a man many places.

Born in disputed Israel, fostered in Middle America, and then finally driven into Rising China—Ray Hecht takes journey after journey as he tries to figure it all out. He goes down many paths from the years 1982 to 2019, attempting and failing at new identities with each passing decade: artist, filmmaker, journalist, and author.

Told in simple lines and crude forms, Ray’s graphic memoir Always Goodbye rushes through the milestones of a person’s life with harsh sincerity. Follow along these memories of a man’s travels across the globe as he tries to find himself, always saying goodbye but then reconnecting all over again, as many times as it takes…

 

Review: Kiss and Tell

Kiss & Tell by Japanese-American artist MariNaomi is quite the hypersexual graphic memoir. (Which was recommended to me by a friend who compared this work to my own comic project, if I may say so.) To be honest, these tales have left me with mixed feelings. I always like a good uncensored tell-all, and I certainly respect the bravery of the artist to share all her most personal intimate moments.

But that sure was a whole lot of underage teenage sex, and it seemed wrong to me somehow. Am I losing my own “edginess”, or is it that in the post-Metoo era this 2011 book hasn’t aged well, and now we all know better when reading about high school girls fucking guys in their twenties… Like, is that what everyone in the Bay Area was like in the 80s and 90s? For this reader anyway, it was a bit much.

(Not that these experiences are celebrated exactly, but the straightforward way the memories are swiftly paged over makes one wonder if there’s some kind of a lesson missing or not. Perhaps I’m just missing the point though.)

The narrative is scattered, from one youthful vignette to the next, that is okay as a work of this nature. The most engaging parts do seem to have a greater story structure however, such as when she was a teen runaway or dated the guy who was in and out of jail–is it too judgey to point out her apparently questionable taste in men– and then the most interesting sort of storyline is towards the end when the author is in her first longterm relationship fraught with the challenges of an open relationship. That always makes for interesting drama! The same-sex encounters once she hits her twenties also somehow come across deeper than the earlier dramatic flings. Oh, and lest I forget to add the LSD psychedelia experiences were also drawn with much heart. Both sex and drugs make for a good read…

Kiss & Tell: A Romantic Resume, Ages 0 to 22 is presented in the understated indie comics style, with simple pure art and it works well in that context. I’d definitely agree that an autobiography the cartoon form is an excellent way to delve into the roughness that is one’s own memories. As a whole considering the emotional depth, art, and storytelling (discomfort or not), I’ll give it 3.5 stars and I’ll even round up.

I humbly thank MariNaomi for sharing.

Jim Starlin – Marvel Comics 1970s and Thanos of the Power Cosmic

Previous: Marvel 2000s

Allow me to take a moment to express my fondness for the works of Jim Starlin.

Since Guardians of the Galaxy – and yes the Avengers – has become mainstream, everybody knows Drax the Destroyer and Gamora and the Infinity Gems/Stones.

Most of all, now everyone knows Thanos.

Thanos_GOTG

 

But for it goes way back. When I was a precocious teen in the 90s, I couldn’t help but fall for the Infinity Gauntlet crossover. It was so epic, so cool. Thanos the all-powerful against a horde of superheroes and space beings. Followed by the exponentially-less cool Infinity War and Infinity Crusade, it was the epitome of overblown early 90s comicbook crossovers. What better to be introduced to the grand Marvel Universe?

The real story of Jim Starlin goes back much further that that. The cosmic escapades I am describing explore one of the great long-form stories of our time, with about forty years of history.

In the 1970s Marvel Comics was on top, having surpassed DC in the previous decade’s Silver Age quality. The medium was full of wonder, although it did get ridiculous as much as it got experimental. The Defenders, Howard the Duck, Jack Kirby’s Captain America. Comics hadn’t exactly grown up by then, no Claremont X-Men yet, but there was much fun to be had in the disco era.

 

Jim Starlin first got his break in 1972. He wrote and drew three issues of Iron Man, in which the metallic hero fought the Blood Brother aliens. And suddenly it was revealed they were working for the master villain of all time: Thanos.

The cosmic saga had begun.

29-7

It was in the pages of Captain Marvel that the saga truly unfolded. Starting with issue 25, the eponymous Marvel character finally found his own voice. The Kree alien (actually named “Mar-Vell”) was joined by the cosmic being Eon to become a protector of the universe, and was faced off against Thanos powered by a cosmic cube. The universe was just barely saved in the end.

I came across the trade paperback collection in my youth and I’m glad I did. The Infinity crossovers of the 90s made more sense with the backstory. That was the beauty of being into superheroes, to go back and endlessly collect and learn the whole story… Baroquean really…

There was also Tbe Death of Captain Marvel, the first official graphic novel of Marvel. A sort of proto-crossover, it was simply about the Captain getting cancer and retiring from the world of the living. In typical fashion, Starlin explored themes of the afterlife and the psychedelic depiction thereof.

That was back when characters stayed dead.

DeathofCaptainMarvel

 

Starlin is known just as well for Adam Warlock, a random character created by Kirby, who later became a sort of Christ-like figure. The artificial humanoid died and resurrected himself a number of times, just as often to fight against Thanos as he did ally with the mad Titan. An unlikely antihero.

The original build up of the Infinity Gems in comics was harder for me to find. I tracked down some rare reprints, an unsuccessful miniseries from the mid-90s. Weird stuff. Another villain was the Magus, who was Adam Warlock from the future and had started his own evil religion. Warlock had to erase the timeline to win. I think we can all relate to these kinds of psychological adventures.

Warlock original cover

 

It was a grand cosmic mythology, on par with Kirby’s Fourth World. The universe was a place of alien empires, tyrants with omnipotent power, and strange abstract beings overseeing the functions of all reality.

By the way, speaking of Kirby, Jim Starlin explained in interviews that Thanos wasn’t based on Darkseid — DC’s megavillain of similar stature — but rather  more based on Metron originally. What with the floating chair.

 

Starlin is mainly well-known for the space operas, but he also had a diverse career. Even wrote Batman in the 1980s during the Death in the Family arc with poor dead Robin II. Cosmic Odyssey for DC as well, and his own creation Dreadstar. In later years, Rann-Thanagar War comes to mind.

 

But Starlin’s greatness is really showcased with the cosmic stuff.

In 1989 he wrote Silver Surfer (no longer illustrating) in a prelude to the Infinity Gauntlet. The anthropomorphic nature of Death had brought Thanos back from the grave, to harness his power and bring an evil balance the universe.

Much has been written of the ‘Infinity Wars’, the return of Adam Warlock and his multiple personas. It was Marvel of the 90s okay, and it was great. The followup series Infinity Watch wasn’t that great but it did further expand the mythos, as Warlock led his own ragtag team. Pip the Troll and Moondragon may not be top-tier franchises, but Drax and Gamora certainly grew in popularity in that series. And look that them today, full-fledged movie stars!

Continue reading