Red Room Art Exhibition Taipei: Visual Dialogues

I recently went to the opening of Red Room’s current art exhibition in Taipei: Visual Dialogues XXVI (藝術對畫). The venue was filled pieces by rising artists based in Taipei, both international and local. The theme, of course, was red.

Some of my favorite works include paintings by Adam Dupois and Liya Un, the ‘radioactive’ socially-conscious print The time between the stones by Germain Canon, and the glass sculpture Suspended Scarlet Cosmos by Bronwen Shelwell. All curated by Sean Gaffney.

Red Room features its Visual Dialogues series on the first Sunday of each month. More information can be found on the website redroomtaipei.com.

This show runs until October 6th and the address is Jianguo S. Rd. Sec.1 #177/
建國南路一段177號2F.

 

View this post on Instagram

Today's #art exhibition at #RedRoom! featuring @bronwenshelwell

A post shared by Ray (@raelianautopsy) on

Advertisements

Hong Kong ASSEMBLING Art Exhibition Features Shenzhen-Based Artists

http://szdaily.sznews.com/html/2016-07/28/content_3581798.htm

mmexport1469506811500

“Of Coming Together and Having to Part” glass panel by Bronwen Shelwell, underneath the entrance to the gallery.

 

“ASSEMBLING,” an international art exhibition bringing together four Shenzhen-based artists, is being held at Sin Sin Fine Art in Hong Kong, and features an array of works that were assembled to complement one another.

The exhibition showcases four young artists from various countries who now call Shenzhen their home: Bronwen Shelwell, Marco Flagg, Tom Hayes and Zhang Kaiqin. The works of art are diverse, ranging from hanging installations to glass sculptures and even a piece made with growing seeds.

Curator Shelwell, who has lived in Shenzhen off and on since 2002, is very familiar with the city and also has experienced working in the art industry in Hong Kong. She currently lectures on art and design at SIFC.

“I’ve worked with Sinsin Man [owner of Sin Sin Fine Art] in the past, and have always been a great admirer of her,” she said. “When she asked me to curate an exhibition in her space, I was very honored and excited. We wanted to put together a group of artists who live in Shenzhen; the challenge was finding artists who are from different countries and work in different mediums.”

mmexport1469506984022

“One Minute Suspended” hanging instillation by Bronwen Shelwell above “Geoscroll” by Tom Hayes in the center of the gallery.

Shelwell has a number of her own pieces on display. The centerpiece of “Assembling” would have to be the hanging installation, “One Minute Suspended.”

Powerful in scale and complexity, it has 375 individual balls covered in shards of glass hanging from the ceiling, like a massive Newton’s Cradle. The balls are arranged in a specific pattern, as Shelwell explained. “During our preliminary meetings, Flagg recorded and documented the conversation. My idea for the installation was to take the central minute of that entire conversation and create a pattern based on the soundwaves. The middle line is perfectly straight, and the outer lines of balls follow the patterns of speech of the recorded minute.”

She also has other pieces. There is a wide glass panel with melted red copper inside called “Of Coming Together and Having to Part,” which was created in a factory in Foshan.

Shelwell talked about the process of creating it, “I first arranged fiberglass foam into a wave, and then put two pieces of glass with copper sheets in the middle. Glass has the ability to look incredibly soft while actually being very hard and sharp, and I’ve always been interested in pushing the boundaries of appearance and reality. My other pieces also explore a similar concept with glass in movement and expanding out of a surface.”

Shelwell’s other pieces are a set of three paintings that incorporate shards of glass, entitled “Within,” “Pause” and “Expand.”

mmexport1469506499173

“Pause” carefully arranges glass shards on a metal print in seemingly random yet controlled pattern.

Flagg is an American multimedia artist. His hometown is Albany, New York, and he’s been living in China for nearly a decade. Socially conscious, he studied documentary photography, and originally came to China with an NGO that worked in rural education. After first living in Beijing, he’s been in Shenzhen since 2009. His work is a video art piece called “Emergent.”

Among the most striking at the exhibition, “Emergent” is the only piece to incorporate sound. When one enters the space, a flat TV screen draws the eye with a hypnotizing array of animated colors. The accompanying headphones then welcome audience members to listen to a multi-layered conversation. Altogether it is a 1:48 loop which overlaps footage and audio recordings.

mmexport1469506987647

“Emergent” video art piece by photographer Marco Flagg.

He explained the piece at length: “What I’m exhibiting is a multimedia piece called ‘Emergent’ which is documenting the initial meeting of the artists involved in this exhibition. All of us were given a selection of writing to respond to by the curator Bronwen … in a kind of round-table discussion at the gallery itself. I documented the audio and the video, and created the piece as a way to capture the exchange of ideas between these artists.”

Flagg also added the use of spectrometer display footage, switching around the senses of sight and sound. “A spectrometer basically displays the audio visually. With colors, red is more intense or a higher sound. Blue is a less intense or lower pitch sound.”

Flagg indeed finds Shenzhen to be an inspiring place for his style of art. “It’s rapidly developing,” he explained. “While some cities have more so-called traditional culture, Shenzhen is reacting to the issues of the current day in China. We can see that energy in the city. It’s very inspiring.”

Tom Hayes came from Britain to China in 2011 to study ceramics and previously managed the residency program at Da Wang Culture Highland at Wutong Mountain in Shenzhen. “Geoscroll,” a long scroll that uses Chinese iconography, is one of his signature pieces. “Sunplot” is more experimental and incorporates nature. Soy bean seeds planted in a circle represent the gathering of artists, and throughout the month as the plants grow, the art will also always be changing until both eventually disintegrate. “My work seems to be quite focused on processes and materials,” Hayes said. “I’m interested in transience and cycles in nature, and I find that working this way allows me to better communicate these feelings.”

mmexport1469591984490

Seeds grow into beans for Tom Hayes’ “Sunplot,” a living piece of art.

Zhang Kaiqin is from Yunnan, China and has been living in Shenzhen for over 10 years. She studied in the United States, and currently works on the Baishizhou urban art project Handshake 302. Her painting, “An Afternoon in Summer,” is a layered rice paper canvas on which she applied watercolor and beeswax. The piece is light and airy, almost translucent, but upon closer inspection one can see its complexity.

mmexport1469506485983

“An Afternoon in Summer” by Chinese artist Zhang Kaiqin, made from watercolor and beeswax.

It is fascinating to see how the artists use such a variety of mediums and backgrounds to express the theme of coming together.

 

“Assembling” will be on exhibit until Aug. 21 at Sin Sin Fine Art at 52 Sai Street in Central, Hong Kong. More information can be found at the gallery website: Sinsinfineart.com.

 

 

ASSEMBLING 貳 +叁 = 伍: Shenzhen-based artists exhibit in Hong Kong

Been a while since I published something from Shenzhen Daily, but I do have something in today’s edition. Basically I copy-pasted the press release and rewrote some quick bios, and they gave me the credit!

Also, please do check out the exhibition opening release party in Hong Kong, Friday July 22 to meet the talented artists…

 

res07_attpic_brief

“Expand” by Bronwen Shelwell

http://szdaily.sznews.com/html/2016-07/14/content_3571221.htm

Four artists who reside in Shenzhen — three expatriates and one Chinese — will showcase their art at Sin Sin Fine Art in Hong Kong from July 22 to Aug. 21.

Entitled “Assembling,” the exhibition will include ceramic, glass, installation, multimedia and painting, all assembled to connect with one another. Each artist has a unique perspective while sharing the same thread of chance that brought them together, with the content of “Assembling” all collaborating and complementing one another.

The opening reception will be held July 22 at 6:30 p.m. and will feature a performance by Spanish dancer Beatriz Abad Latorre. On Saturday, July 23 at 3 p.m. the artists will meet to discuss how the city of Shenzhen has impacted their work, life and creativity.

Bronwen Shelwell, who is from South Africa and works primarily with glass, is the curator as well as an artist and has a series of glass sculptures. Marco Flagg, a multimedia artist from the United States, will present a video art piece. Tom Hayes from Britain specializes in ceramics, and has produced a “living” sculpture that will grow during the exhibition dates. Zhang Kaiqin is a Chinese artist from Yunnan Province and she will exhibit a contemporary watercolor painting.

Dates: July 22-Aug. 21 (closed Sundays)
Opening reception: 6:30-8:30 p.m., July 22
Discussion panel: 3-5 p.m., July 23
Admission: Free
Venue: Sin Sin Fine Art, G/F, 52 Sai Street, Central, Hong Kong
MTR: Sheung Wan Station, Exit A1

 

http://sinsinfineart.com/2016/assembling/assembling-eInvitation.html

SZ-based expat artist wins Hong Kong award

20150809_152815

http://szdaily.sznews.com/html/2015-08/13/content_3308964.htm

THE Asia Society in Hong Kong recently held an exhibition featuring the works of Japanese artist Yoshitomo Nara entitled “Life Is Only One.” Famed for his haunting portraits of large-eyed children juxtaposed against dangerous scenarios, the oil painter has inspired artists all around the world to challenge themselves and forge new connections.

For the end of the exhibition, the Asia Society decided to host a competition in which artists could submit work based on Nara’s aesthetics. The contest received hundreds of entries. Entries were divided into three sections: a child division for children aged 6-11, a youth division for teenage artists aged 12-17 and an open division for anyone 18 and over.

The competition’s champion was South African Shenzhen resident Bronwen Shelwell, an art lecturer at the OCT campus of Shenzhen Polytechnic’s International Foundation College, for her glass nest sculpture entitled “Home.”

“Inspiration for this artwork came from my own interpretation of Nara’s process, an artist I have admired for years,” said Shelwell. “I wanted to find a way to express a similar innocence, as he does with his childlike imagery, with a subconscious, violent twist. I took the familiar form of a nest — a symbol of home, safety and innocence — but constructed it out of the fragile, delicate, but also dangerous material of glass. In line with Nara’s process, the base of the glass nest was made out of found material — the broken glass of a car window scattered on the side of a road. I collected the shards and then made a mold, which I melted the glass into. On this base, I assembled glass rods, each one worked into a natural shape over a gas flame. I then built the nest piece by piece, as a child or bird would do.

“The nest is empty. I wanted there to be something read in its vacancy, something familiar, as with Nara’s imagery, but unnerving at the same time. I took an object always associated with warmth and safety but displayed it with a palpable loss.”

Shelwell has lived in Shenzhen for several years and frequently contributes to the Hong Kong art scene. “I go to Hong Kong often to see the latest exhibitions at contemporary art galleries. I feel this keeps me up to date with current trends, gives me inspiration. It also helps me be a better lecturer for my students and a better artist. I have worked with a few galleries, mostly behind the scenes in curating or writing about exhibitions and preparing for Art Basel, which was recently launched in Hong Kong.”

On Sunday the Asia Society hosted an awards ceremony — also presented by the Hong Kong Jockey Club — and finalists got to exhibit their pieces in a new show.

Shelwell was excited when she heard the news that she won the championship in the adult division. “I felt incredibly happy! It is my first time actually exhibiting one of my pieces in Hong Kong. I’ve exhibited in other countries and I have a few clients that I make artwork for in Hong Kong, but this is the first time I’ve had my art displayed in a gallery here. It was so overwhelming that the exhibition theme was based on an artist I love, and the space was the Asia Society, one of the most beautiful gallery spaces in Hong Kong.”

Shelwell also believes this is good news for Shenzhen. “I think it is a wonderful thing that artwork from Shenzhen was admitted and did well in a Hong Kong exhibition. I think this was a wonderful opportunity for the Shenzhen art community as a whole to be recognized in Hong Kong.”

The exhibition will be held at the Asia Society until Aug. 16. More information can be found at their website http://asiasociety.org/hong-kong.

 

20150809_145038

20150723_121213

Asia Society arts award ceremony – an insider’s take

Sunday was a very special day for me and the very beautiful and very talented South African artist Bronwen Shelwell.

(Hope this blog isn’t a conflict of interest, but I think the story is worth sharing! The subsequent proper article might be, but that’s okay)

You see, over at the Asia Society in Hong Kong there happened to be an exhibition of Japanese artist Yoshitomo Nara’s works, “Life is Only One.” To complement the show, the society also hosted an art competition.

0306_Nara_lecture_0

 

So Bronwen decided to produce one of her signature glass nests, one which incorporates Nara’s themes of childish characters hinting at darkness and danger. She submitted the pitch, and we were pleasantly surprised when they quickly emailed back that she was a finalist and needed to come to HK to drop off the piece (Well, I wasn’t surprised; I was sure she would do well).

When they emailed soon after to say she was selected as champion of the open division, it was very exciting!

Sunday came and I was honored to be Ms. Shelwell’s “plus one” for the awards ceremony. We made a day of entertaining Hong Kong and enjoying the space.

20150809_135600 20150809_140527 20150809_135623 20150809_141922

 

Then the ceremony began. It was rather quick, going through the child and youth divisions with various runners up. As champion, Bronwen was the last. There was even a ribbon cutting.

20150809_144946 20150809_145038 20150809_145152

 

Afterwards, we were free to go up to the gallery to observe all the interesting works. It was amazing how people can take inspiration from Nara and have such original takes. Glad to see a lot of creativity is happening in Hong Kong today, especially among young people.

Bronwen was able to show off her nest in person, entitled “Home,” and also took interviews.

20150809_152815 20150809_152739 20150809_153552Artist’s Statement:

Continue reading