On a recent trip to Guangzhou, I came across this sign for Braziliam Waxing.
Relatively minor typo. But then again, if you do want some grooming done down there then wouldn’t you want them to pay attention to details…?
Prev: DC – 80s
Goodreads Shelf: Superman
If any one character deserves a really long solo post, it is Superman. That is, not just comic book/superhero characters. Any one character in all American fiction, period.
Most would agree that Superman is very important. However, he hasn’t gotten the movies he deserves (at least since the late 70s). Hasn’t been a top seller in ages. And everyone likes Batman better.
Don’t get me wrong, I love love love Batman. But I always felt resentful that everyone thinks the caped crusader is so much cooler than Superman. I prefer the Man of Steel out of sheer spite.
Seriously, I am a sincere fan. I like escapism, science fiction, exploding planets, time travel, that’s what comics are all about to me. It’s funny Batman is more grounded in the real world, yet he’s in the Justice League with aliens and mermen. I will admit one discrepancy: Superman needs Batman as part of his mythos but the other way around isn’t necessary. Batman can be in both worlds. More on Batman later.
First of all, let’s just admit that the superhero genre is supposed to be a bit corny. We’re talking about muscle men in skintight outfits saving the world from super-villains; it’s not meant to be gritty and realistic! That’s me. I find the literary quality comes from taking 1950s children’s stories and then somehow grounding them in plausible scenarios.
I like corny heroes. Captain America is my favorite Marvel superhero of all, and Cyclops is my favorite X-Men.
On Superman… Shall I start at beginning? In 1938 Jerry Seigel Joe Shuster created ushered in the superhero genre, a true American creation as valid as jazz, punk rock, and pop art. The metaphor is obvious in retrospect, the last son of the planet Krypton disguises himself as mild-mannered Clark Kent: He is the proverbial Jewish immigrant.
The Golden Age was the beginning. The Silver Age was totally weird and psychedelic. We’re all familiar with the films. Pre-Crisis Superman is classic, but he was a bit stiff. Too perfect, with only kryptonite as a weakness, he more than anyone needed a reboot.
Before the Crisis, noted genius Alan Moore and iconic artist Curt Swan produced Whatever Happened to the Man of Tomorrow as this iteration’s last hurrah. Nostalgic yet serious at the same time, and nobody could write it like Moore. Goodbye, Kal-El.
“An imaginary story. Aren’t they all…?”
Then the Crisis happened. The previous “didn’t count”, or something. So came Marvel star John Byrne to do Superman his way. It wasn’t bad, but I preferred Byrne on team books like Fantastic Four. At least Clark Kent was three-dimensional. At least Lex Luthor was more formidable. New villains were introduced, but mostly it was just the start until the 90s Superman was to be fully fleshed out.
Dan Jurgens was in charge by then. Louise Simonson of X-Men fame was a good writer as well. Lex Luthor was cloned and recloned — kryptonite poisoning you see — Kirby-esque Cadmus Labs was made integral, Maggie Sawyer of the Metropolis Special Crimes Unit, and Clark even revealed his secret identity to Lois Lane when he proposed. A lot was added to the backstory.
Things were looking up. Yet, with all that competition from Marvel with those big crossovers, DC had to do something drastic to get noticed. They wanted an event. Hence came Doomsday, and the pivotal Death of Superman event.
Doomsday was a kickass villain. About damn time Superman faced more physical threats. Still, Doomsday had a rather simplistic motivation. He was mysterious and we later learned more, but the real point of the death was to introduce the Resurrection of Superman.
Superboy, the new clone. The Eradicator, a Kryptonian intelligence. Steel, a new DC hero of Justice League merit. And the badass looking Cyborg, whom of course turned out to be the villain. Then Superman came back to life, albeit with a mullet, and it was an epically great story unlike any other. We all have the fondest memories.
Over in the other side of the DC universe in the mid-90s, much was stalling. Meanwhile, the great Grant Morrison proposed that DC simply utilize the best they have and make the Justice League the premier team they were in the Silver Age. After doing away with the endless spinoff aspects, Mr. Morrison put in Superman, Batman, Wonder Woman, Flash, Green Lantern, Aquaman, and the Martain Manhunter and made it as awesome as possible. Unfortunately, it all started during the mullet era.
Grant Morrison’s take on Superman, as well as Mark Waid’s, was crucial to how the character evolved in the 90s and 2000s. DC purposely wanted to downplay the more omnipotent aspects to Superman, make him just another decent hero with various states of dramatic conflict fighting average villains. But the critically-acclaimed writers wabted a classic Superman, embracing what makes him “super” instead of toning him down. JLA (Justice League of America) worked, it was DC’s top seller for years, the only title that legitimately competed with Marvel. Was a more cosmic take on Superman valid after all?
Perhaps. And then they changed his powers and him electric, a controversial move. Still lambasted today, though I kinda liked it. Whenever there are great changes to the status quo we all know it’s temporary, so why not have fun for the time being? Least he got a haircut.
Finally, in the 2000s it was decided that Superman should be more pure. Enough of the gimmicks. Grant Morrison and Mark Waid unfortunately didn’t get to lead the way, but writer Jeph Loeb and artist Ed McGuinness did their best.
I didn’t like Jeph Loeb’s writing, but McGuinness was spectacular. I say the cartoony-look worked well. Joe Kelly writing Action Comics was most brilliant of all. I miss that era. It all climaxed in the Our Worlds at War crossover, where Superman and the JLA fought a Galactus-type new space nemesis, Imperiex.
On villains, yes some are too lame. Toyman, the Prankster. Mxyzptlk ok. Lex Luthor, of course, is great but has always suffered from being a normal human up against the power of a Superman — intellect or no.
Metallo is cool. Parasite is decent. But overall, Superman’s old school villains haven’t been the best. Especially when compared to the classic rogue’s galleries of Batman, Spider-Man, and the Flash.
As said, I believe Lex’s rebirth in the 80s as a sleazy businessmen was a great improvement. In the 2000s, it went one step further. President Lex.
(Which “coincidentally” corresponded to the W. Bush years. Life imitates art or art imitates life? Seriously, I’m asking.)
As readers should know by know, I have compiled together my Dating in China stories into a tell-all eMemoir. While you can read the blogs here for free, if you want to know even more to these stories and beyond then there’s a Kindle document for sale…
You can also read the eBook for free if you just ask, I’ll email it to you and a mere review on the Amazon link would be appreciated 🙂
The latest edition includes a bonus: the silent comic I drew last year. A friend recommended I add that, and I thought not a bad idea.
Previously posted here- https://rayhecht.com/2014/02/24/3/
I’d like to thank the very talented Jeridel Banks for the above design. The consensus is in, and pretty much everyone agrees this cover is much better than the one I did myself.
If you ever have any design or editing needs, please join Odesk.com and check out her profile: www.odesk.com/o/profiles/users/_~01a930cbc899bcc679
She comes highly recommended!
Ms. Banks’ writing can be found at at The Ends Don’t Tie with Bunny Rabbits via tiewithbunnyrabbits.com
Previous: DC Comics – 90s
I think we can all agree that the 80s was among the top decades ever. In the world of comics (at least, American mainstream superhero comics), it was the decade the medium finally matured into a respectable art form for adults.
I definitely grew up on Marvel, but in my later teens I chose to focus on DC, and from my early and mid-twenties I spent untold hours scouring for back issues to fill in the historical gaps.
The truth is, Marvel was revolutionary in the 1960s but DC — that stuffy old company famous for square-faced Superman and Adam West-era Batman — did catch up. Green Arrow/Green Lantern by Dennis O’Neil in the 70s comes to mind. By the 80s, there were plenty of literary books.
As for Watchmen by Alan Moore and Dave Gibbons, and The Dark Knight Returns by Frank Miller, it says a lot those seminal tomes were published by DC. But you’ll have to wait until my inevitable Alan Moore and Batman-themed posts for more on those. Same bat-time, same bat-channel!
Allow me to skip ahead in the timeline of the DC Universe, whereas the centerpiece would definitely be 1985’s Crisis on Infinite Earths. The mega-crossover revitalized the entire multiverse, with a cosmic menace requiring the heroes of all the different earths and time periods and planets, and an ending that took all the realities and put them into one big universe. RIP Supergirl and Barry Allen Flash…
Written by Marv Wolfman and illustrated by George Perez, it was a masterpiece.
Speaking of which, to go a bit further back on that creative team: Wolfman and Perez tother first came to prominence with the New Teen Titans. We forget now, but for a time they were the rivals to Marvel’s X-Men. That successful.
Sidekicks Robin, Kid Flash, and Wonder Girl were joined by newcomers Cyborg, Starfire, and Raven. Changeling/Beast Boy too. You may know the cartoon.
Cyborg was futuristic-transhumanist science fiction, Starfire was space opera, and Raven was supernatural horror. All the neccesary genres for superhero adventures. Add that to character development and the occasional soap opera storylines, and the formula made for solid great comics. Too bad the Titans have never been able to live up to that pre-Crisis era since.
Pre-Crisis DC, that was back when there were all those numbered Earths. The Golden Age 1940s continuity was called Earth 2, with the Justice Society and the original Action Comes #1 Superman. Writer Roy Thomas, who might be the most knowledgeable man in all the field, wrote about the WWII-ea in All-Star Squadron. It was followed up Infinity, Inc., which wasn’t as good but interestingly showcased the sons and daughters of the Justice Society in modern times. I do like my superheroes generational, a sense of history.
Then Crisis happened. All those Earths were now one. History was rebooted. Earths 1 and 2 had the same timeline all along. It’s confusing, I know.
The first post-Crisis crossover to introduce this new streamlined universe was Legends, helmed by Marvel’s popular writer-artist John Byrne and John Ostrander. It pitted DC characters against Jack Kirby’s Fourth World, which the ultimate epic villain of Darkseid.
Then, the Suicide Squad grew out of Legends. This ragtag team of supervillains employed by the government was, in a word, awesome. Very cool, very badass. Who knew corny DC villains could be written with such edge? Captain Boomerang, Deadshot. And a lot of the characters died in these suicide missions, some of them not even coming back to life. And who doesn’t love Amanda Waller?
Apparently there will be a movie of the squad soon enough.
Most important of all, the new Justice League evolved out of Legends. It was the latest incarnation, the Justice Leauge International, most often referred to as the “Bwahaha! era.
Believe it or not, it was a comedy comic. Cowritten by esteemed writer J.M. DeMatteis and Keith Giffen, it kind of showed what it was like to hang out as a superhero in the off time of saving the world. It had Guy Gardner as Green Lantern, who was refreshingly a dick for a superhero, Martian Manhunter as elder statesmen, best buds Booster Gold and Blue Beetle, girlfriends Fire and Ice, and of course Batman being super cool Batman.
I tracked down every single one of those issues. I still have the full run to this day, including Justice Leauge Europe. They did fight supervillains like Desparo and had crossovers with the extremely serious Suicide Squad, but mostly it was a return to comics being fun. Unfortunately, after Giffen and DeMatteis left the League became convoluted through the 90s until Grant Morrison revitalized the franchise with back-to-the-basics JLA. But that is a post for another day.
Previous: Marvel Comics – 1990s
DC vs Marvel, the original nerd debate…
First of all, I grew up on Marvel. The House of Ideas, “Stan Lee presents…” all that. It sustained me during my awkward adolescence. And then, I grew out of it.
By the middle of my high school years, I was still very much obsessed with comics but my standards were higher. While Marvel always focused on art, DC focused more on writing. It’s a fact you can look up: in comics scriptwriting there is a style called the Marvel style in which the author makes a brief outline, and the artist effectively tells the story (like a film director) and afterwards the author fills in the dialogue. It evolved from Stan Lee and Jack Kirby doing a dozen comics a month during the Silver Age in the 60s.
DC is more traditional. They do scripts with all the panel layouts and details written in, and depending on how visual a thinker the writer that can include a lot of detail. Think of a film/TV script except the writer actually has authority. So while Marvel had all their famous artists and had all their editorial-controlled characters in endless crossovers, DC had far more literary stories. Especially back in the 90s. Marvel always outsold the latter, but DC won awards and eventually even created the Vertigo imprint for more mature, adult-oriented work.
For me, it mostly began with the seminal Death of Superman event. Remember that? Doomsday, the four replacements, the post-resurrection mullet. It was awesome! Like many casual readers, I ate that up. Unlike many others, I stuck around and went backwards and learned all about such histories as the Eradicator and so on.
However, an important character like Superman will soon get his own post. Batman as well. Then Vertigo, and various authors. This post is simply about DC in general in the decade.
Starting from that jumping point, Dan Jurgens was one of the main architects of the Superman mythos in the 90s and he was also briefly in charge of the Justice League. If you remember from the Death of Superman graphic novel, there was the Blue Beetle and Booster Gold, Fire & Ice. That actually goes back to the 80s Justice League. (80s post next. It’s tricky writing these things going backwards chronologically.)
Dan Jurgens was also unfortunately responsible for writing and illustrating the 1994 crossover Zero Hour. It was itself a pale shadow of the epic Crisis on Infinite Earths of the 1980s – again, next post – and frankly it wasn’t that good. Green Lantern turned out to be the villain, they tried to fix some continuity problems, and they released special issue number “zero”s with new origin stories.
Some of the tie-ins were good, some weren’t. I read many of them. In doing so, I realized I had a lot of work ahead of me to master this new universe. Exciting times for an escapist teen… I proceeded to go to my local bookstore, back when Borders was a thing (RIP Borders!) and read all the graphic novels I could. I did my usual thing of searching for discount back issues at used markets. On Wednesdays I filled up my pull list with the best of DC.
Yes, the teenage me of the mid-90s really wanted to focus all his attention on learning about the DC Universe. Seemed like a good idea at the time, seemed I had nothing better to do. I am glad I did. The fondest memories of that age.
Let’s continue with writer Mark Waid and the Flash.
Looks like the Flash is already getting some new buzz with the TV show. I heard it’s good. I’ll binge-watch it later.
The Flash does in fact have one of the greatest rogues gallery in comics, right up there with Batman in Spider-Man, and they’re called the Rogues. Captain Boomerang, Captain Cold, the Trickster, Grodd. There were many Flashes in fact, and my incarnation will always be Wally West the former Kid Flash. I loved that he had no secret identity, that he grew up in the community of superheroes. I enjoyed the generational and family elements with all the different Flashes. There was time travel, speedster ninjas, all you could want. None of that lame dystopianism that other superhero comics faked in bad attempts to be relevant; Mark Waid always knew how to write with heart and respect to the genre. Waid made Flash a must-read comic, added the Zen-style “speed force” to it all, and also created Impluse.
Mr. Waid’s true opus was the 1996 miniseries Kingdom Come, brilliantly painted by Alex Ross of Marvels fame. While Marvels was about the past, Kingdom Come was about the future. With much commentary about bad 90s comics, the plot concerned an aging Superman coming out of retirement to save a bitter, cynical world from violent antiheroes.
Every page contained a thousand references. This kind of story must be studied to be fully appreciated. I also liked the less-acclaimed followup, The Kingdom, which further fleshed out the setting of tomorrow.
Peter David was a fine writer, let me reiterate. While I first came across his writing in the X-Men spinoff X-Factor, and of course the Hulk, my favorite of his work was Aquaman (Also Supergirl, but about that later Superman post…)
Aquaman has always gotten an undeserved bad rap, damn you Superfriends cartoon! It was the 90s, they had to make him “badass” with the hook for hand and long hair. But I think it worked. I enjoyed the mythology of Atlantis, the politics of his being a king, and the revamped origin story in which he was raised by dolphins.
Recently, I went on a short trip to Hong Kong. I was just there for a couple of days, but I did find a few random pictures to share.
Like Taiwan, Hong Kong is supposed to be more modern and developed than mainland China. Yet if you seek it out, there are misspellings to discover…
And an important sticker
I have now completed my memoirs, in eBook form.
You may be familiar with the Dating in China blogs already, but there’s more to the story…
I have decided to edit them, and put them out there as an eMemoir of sorts on Amazon’s Kindle Direct Press.
Yet, this is not just a simple copy-paste and proofread for typos. Since this version isn’t all out there online for free, I have written more to the story. Certain personal, more graphic details. Certain things left unsaid that would be unbecoming on a public forum.
Not to mention further chapter continuing where the blog left off, and an epilogue.
If you’ve enjoyed my writings this past year, you may enjoy taking a look. And if you’d like to write a review on Amazon yourself, I will happily forward you a copy!
Even if you only have fond memories of reading the previously-blogged edition and prefer to leave it at that, it would be very considerate if you shared some thoughts. Positive or negative, tell the world what you think. Link above.
Thanks very much to all you readers out there!
When one nerdy, young American moved from California to China in the autumn of 2008, he had no idea what was coming. He knew there would be an adventure and it would have its challenges, but he didn’t know it could get that bad.
From the deserts of Black Rock City, Nevada, to the towering metropolis of Hong Kong, this memoir takes our humble writer all across the globe in search of love. Well, maybe not always searching for love, but in search for something.
It starts on a psychedelic trip in Burning Man, and continues in the “overnight city” of Shenzhen. That’s in the Pearl River Delta, among the densest megacities on Earth. In breakup after breakup, one lonely expat struggles to understand the Chinese mystique. Featuring an ensemble cast of international girls, he had many experiences and leaned a few lessons along the way. The story continues to further exotic locations: Beijing, Canton, Bangkok, Manila, Ohio, the ruins of Cambodia, and Seattle.
Once or twice, he may have even found love. And lost it. Hearts were broken. Minds were mended. All in a haze of romance encounters, online dating, and travel.
This is his story. Complete with travel photos, and quotations from “Seinfeld” and Mo Yan.