I was so young then…
In 2005 or 2006 I met comic book writer Grant Morrison at a music festival in Los Angeles. It was an odd event in Echo Park, with many experimental bands playing at various stages, and at the same they had a workshop on the occult. Sadly, most people weren’t concerned about the workshop part.
I was ecstatic to hear that Grant Morrison would be there. He gave a fascinating interview. Seriously, you must youtube some videos of him immediately. Low-key event that it was, we got to chat personally for a few and he was nice enough to take a picture with me. I met his wife too.
I met him at Comic Con the following year as well, at events far more crowded, and he was still very nice. I won’t inundate with more pictures, however, I’m not that much of a fanboy.
For more here’s an particularly awesome video from 2000’s DisinfoCon introducing the tenants of chaos magic and how to do a masturbation sigil:
Note he’s Scottish.
And now my blog begins. Presenting the master of the Postmodern Superhero. The punk rock star of comics. My personal all-time favorite.
First things first, comparisons with Alan Moore are inevitable. They are both absolutely brilliant. They are both magicians. They both deconstruct the nature of the superhero like no other.
Yet, one is a mess of hair and the other is bald. One seems to be a misanthropic old man, and the other apparently has lot of fun as a writer. One hates all things mainstream, and the other is just fine with utilizing corporate characters as tools to tell the important stories.
Unfortunately, if you’re a Grant Morrison fan then you must be an Alan Moore fan as well but the reverse isn’t necessarily true. There’s a lot of overlap in themes, yet if you want to be an anti-mainstream purist you can skip Morrison. I think you would be missing out if you did that.
Anyhows, I am a great fan of both so what’s wrong with that?
As for me, I personally first came across Grant Morrison in my teens (though the story gets more interesting in my twenties), because of the huge phenomena that was JLA in the 90s. I was marginally interested, being that I followed everything important that was DC at the time, and the first volume was okay. Superman with a mullet notwithstanding. When I got to the Rock of Ages graphic novel, I was astounded. Then the following arc about the 5th dimensional beings left me well and truly mindfucked.
To me, the peak was the One Million crossover about time travel to 853rd Century. Great high-concept science fiction.
Grant Morrison has since further written Superman in such titles as All-Star Superman, Action Comics, which you can see my opinion thereof by following that link .
One of the random things I was into seeking back in the day was Flex Mentallo, a strange Vertigo piece about a corny superhero. I found issue 3 at discount, and spent years hunting down the full story.
It had everything: deconstructionism, metafiction, with groundbreaking art by frequent Morrison collaborator Frank Quitely.
I contend that Flex Mentallo is superior to Watchmen. It takes a dissection of the superhero genre even further. And it’s funnier, wittier, with treatises on childhood trauma and cosmic abduction, and contains the classic line “Fredric Wertham was fucking right!”
It was so hard to get all four issues. The problem was that Flex Mentallo was a satire of the ‘hero of the beach’ and with republication risked getting sued by those old strongman ads. DC wouldn’t reprint a graphic novel for years. Back then, I bit the bullet and paid high prices on ebay and it was well worth it. Now, of course, there’s a trade.
Let’s go a bit more backwards, with Animal Man. The saga of Buddy Baker was one of Grant Morrison’s first forays into DC during the 80s British Invasion. This obscure hero was given a modern reboot, that quickly went from an essay on animal rights to some weird routes onto the nature of fiction. Combining Wile E. Coyote with Native American mythology, by the end it went full on metafiction. Most haunting of all was when Animal Man broke the fourth wall and looked directly at the audience, shouting “I can see you!”
Concurrently, Doom Patrol was a very interesting take on outcast heroics. The patrol were always a bit odd, a tad off, and Grant Morrison knew how to play to the strengths of that. Robotman as eunich, transgendered street characters, and most of all were the villains based off art history. Brotherhood of Dada anyone?
Not to mention Flex Mentallo first appeared in Doom Patrol.
These were all well and very, very good. However, Grant Morrison’s true opus came in the 90s with the Invisibles. By the time I got caught on, well after it was completed, I was generally getting into more esoteric subject matter. I was reading P.K. Dick and Robert Anton Wilson. I was collecting Disinfo books. I was coming across these strange interviews with one Grant Morrison comic writer, on the subjects of chaos magic and higher consciousness. It was time to read more.
I ordered the entire set, and read on. Then I read them again, and a few more times at differing stages of my life. I’m about ready for a reread again.
The Invisibles is an epic take on Gnosticism and conspiracy theories, through the lens of an action comic, published by Vertigo. About a team of anarchists fighting the good fight against the forces of control in this world. It incorporated all kinds of references to psychedelic mythologies. All came to a head in that Singularity futuristic year of 2012.
It felt somewhat cathartic that my burgeoning spiritual path was overlapping with my love of comics and superheroes. I was doing it right all along. Much can truly be learned about human growth via the metaphor of the Superman. Thanks, Grant Morrison.
And, I may share that reading interviews on how Grant Morrison took LSD and other various chemicals for the sake spiritual experiences, that had an impact. Helped to encourage me with my own experiments utilizing psilocybin and dimethyltryptamine, legal or otherwise, rewiring some synapses within my nervous system in some arguably positive ways.
As always, reading books (and comics) can be such a bad influence!
Ray-Comics 