Almost goes without saying, massive spoilers herein forewarned.
Do not read ahead unless you’ve already seen.
Almost goes without saying, massive spoilers herein forewarned.
Do not read ahead unless you’ve already seen.
One of the things I’ve missed out on by living in China is the glory of comic conventions. I went to the San Diego con — biggest in America, a number of times. I used to go to small ones in Cincinnati. Buy discount bundles of comics, get some signed by artists and writers. In San Diego, of course, many big-time celebrities to gawk at. Pretty much the funnest thing there is to do.
I did go to an animation festival in Shenzhen a few years back, and it was fun. Students making CGI films, Japanese manga translated into Chinese. But no Western comics.
With the popularity of the Marvel films all over the world, Wizard World — and I’d gone to a Wizard World in Chicago back in the day — decided to host their first convention in China at the nearby city of Guangzhou. Imagine my pleasure at hearing this!
Then imagine my extreme disappointment when I went last month and it was an abyssmal failure. 😦
Now, I didn’t expect much. Wizard World Guangzhou was beaten by the Shanghai comic con, and the reviews weren’t great. Just a bit of cosplay, toys to buy, and very little actual comics to purchase but apparently at least a few. As Marta Lives in China had written about: https://martalivesinchina.wordpress.com/2015/05/18/shanghai-comic-con/
What a long story the failure of the Guangzhou con. Where to even start?
Only a few days before schedule I’d suddenly heard that they changed venues. Guangzhou, host city of the large scale international Canton Fair, should know how to do big events. China has trade conventions all the time; I’ve been to many. Yet the new venue was suspiciously small. Apparently they built a big tent or something.
We arrived Saturday in the afternoon, and heard from friends that they’d been waiting in line in the scorching heat for several hours. Two Americans in China has more details here: http://www.twoamericansinchina.com/2015/05/the-big-con-nightmare-guangzhou-comic-con.html
Nothing but long lines. Hours and hours of this. We decided to go eat nearby, in no hurry to join the lines and wait, and gather some intel.
Finally, after hours of walking in circles just wondering if the line was even moving, the story had been pieced together. Turned out the the original venue had backed out. There were rumors they wanted to overcharge the westerners at the last minute, and/or they double-booked. Probably another stupid boring trade show about cell phone parts or something. Gosh forbid they do an exhibition with some culture.
Fanstang, the incompetent Chinese-based organization working with Wizard World (and Wizard bears responsibility too), only had time for this very small alternative location. Seemed all the vendors were cancelled. Couldn’t even buy a dang T-shirt. I never did get to see the inside, but a few others had and said it was extremely disappointing.
The only discernible point of this thing was to look at a few celebrities.
I felt silly taking pics with the crowd, but what else was there to do?
This guy is Stefon from Vampire Diaries, so I’m told. Paul Wesley.
And this girl on the right walking away is Skye from Agents of S.H.I.E.L.D., which I don’t watch. Actress Chloe Bennet.
And that is unfortunately all I got.
The biggest name was Lee Pace, Thranduil from the Hobbit and Ronan from Guardians of the Galaxy. Whatever.
I took these pictures when the celebrities were leaving. It was scheduled until 6:00, I figured the last hour or so could be enjoyed there, but at 4:00 the stars got fed up and left. It was over.
The remaining crowds were not happy. It was very difficult to get a straight answer about refunds. Finally, an American in charge told me the rest of the story. The police wouldn’t let the people in, as there were something like 7000 tickets sold but the venue could only hold several hundred people. Yes, that big a discrepancy. Only “VIP” tickets would be let in the next day, which cost 500 yuan, and absolutely not worth it. They were still figuring out details on regular-priced ticket refunds and sending signed autographs or something.
In the end, what a clusterfuck. An epic China fail if ever there was one.
What bothers me the most is how much it embarrasses China. Talk about losing face. All these celebrities, who have much social capital, are left with a terrible impression of doing business in China. These people are not impressed with Guanghzou. If this worked it could have been a lot of fun for fans and opened up Western pop culture to this grand country. Instead, it reinforced the worst examples of how China is not quite yet ready to be a modern country. I’m very sorry about that, but what other conclusion can be drawn? It’s true.
The lesson is to tread carefully in China, and don’t have high expectations.
That said, with my low expectations we still had some fun in China.
Previous: Marvel 2000s
Allow me to take a moment to express my fondness for the works of Jim Starlin.
Since Guardians of the Galaxy – and yes the Avengers – has become mainstream, everybody knows Drax the Destroyer and Gamora and the Infinity Gems/Stones.
Most of all, now everyone knows Thanos.
But for it goes way back. When I was a precocious teen in the 90s, I couldn’t help but fall for the Infinity Gauntlet crossover. It was so epic, so cool. Thanos the all-powerful against a horde of superheroes and space beings. Followed by the exponentially-less cool Infinity War and Infinity Crusade, it was the epitome of overblown early 90s comicbook crossovers. What better to be introduced to the grand Marvel Universe?
The real story of Jim Starlin goes back much further that that. The cosmic escapades I am describing explore one of the great long-form stories of our time, with about forty years of history.
In the 1970s Marvel Comics was on top, having surpassed DC in the previous decade’s Silver Age quality. The medium was full of wonder, although it did get ridiculous as much as it got experimental. The Defenders, Howard the Duck, Jack Kirby’s Captain America. Comics hadn’t exactly grown up by then, no Claremont X-Men yet, but there was much fun to be had in the disco era.
Jim Starlin first got his break in 1972. He wrote and drew three issues of Iron Man, in which the metallic hero fought the Blood Brother aliens. And suddenly it was revealed they were working for the master villain of all time: Thanos.
The cosmic saga had begun.
It was in the pages of Captain Marvel that the saga truly unfolded. Starting with issue 25, the eponymous Marvel character finally found his own voice. The Kree alien (actually named “Mar-Vell”) was joined by the cosmic being Eon to become a protector of the universe, and was faced off against Thanos powered by a cosmic cube. The universe was just barely saved in the end.
I came across the trade paperback collection in my youth and I’m glad I did. The Infinity crossovers of the 90s made more sense with the backstory. That was the beauty of being into superheroes, to go back and endlessly collect and learn the whole story… Baroquean really…
There was also Tbe Death of Captain Marvel, the first official graphic novel of Marvel. A sort of proto-crossover, it was simply about the Captain getting cancer and retiring from the world of the living. In typical fashion, Starlin explored themes of the afterlife and the psychedelic depiction thereof.
That was back when characters stayed dead.
Starlin is known just as well for Adam Warlock, a random character created by Kirby, who later became a sort of Christ-like figure. The artificial humanoid died and resurrected himself a number of times, just as often to fight against Thanos as he did ally with the mad Titan. An unlikely antihero.
The original build up of the Infinity Gems in comics was harder for me to find. I tracked down some rare reprints, an unsuccessful miniseries from the mid-90s. Weird stuff. Another villain was the Magus, who was Adam Warlock from the future and had started his own evil religion. Warlock had to erase the timeline to win. I think we can all relate to these kinds of psychological adventures.
It was a grand cosmic mythology, on par with Kirby’s Fourth World. The universe was a place of alien empires, tyrants with omnipotent power, and strange abstract beings overseeing the functions of all reality.
By the way, speaking of Kirby, Jim Starlin explained in interviews that Thanos wasn’t based on Darkseid — DC’s megavillain of similar stature — but rather more based on Metron originally. What with the floating chair.
Starlin is mainly well-known for the space operas, but he also had a diverse career. Even wrote Batman in the 1980s during the Death in the Family arc with poor dead Robin II. Cosmic Odyssey for DC as well, and his own creation Dreadstar. In later years, Rann-Thanagar War comes to mind.
But Starlin’s greatness is really showcased with the cosmic stuff.
In 1989 he wrote Silver Surfer (no longer illustrating) in a prelude to the Infinity Gauntlet. The anthropomorphic nature of Death had brought Thanos back from the grave, to harness his power and bring an evil balance the universe.
Much has been written of the ‘Infinity Wars’, the return of Adam Warlock and his multiple personas. It was Marvel of the 90s okay, and it was great. The followup series Infinity Watch wasn’t that great but it did further expand the mythos, as Warlock led his own ragtag team. Pip the Troll and Moondragon may not be top-tier franchises, but Drax and Gamora certainly grew in popularity in that series. And look that them today, full-fledged movie stars!
Previous: Marvel in the 80s
Although I consider the 80s to be the peak, if I still had all those boxes you would find more 90s Marvel than anything else. It would almost be embarrassing, revealing my guiltiest pleasures of camp boys adventure stories. How fun they were.
I have since sold all my Marvels on ebay, saved others, but the memories remain. Again, Goodreads Marvel shelf
It was the 1990s comic boom, when gimmicks and crossovers and COLLECTIBLE NEW ISSUE 1! desperately pleaded you to buy multiple copies. The economy was good, everyone thought they’d get rich by selling Spawn # 1 (they wouldn’t) and I was in the thick of it. More on Image comics in a moment.
Marvel upped their crossovers like never before, and I’d like to start with Infinity War. That is pretty much the epitome of the era. Not to mention they’ll apparently make a movie of it.
Infinity Gauntlet, by Jim Starlin, was brilliant. The villainous Thanos destroyed half of all life in the universe. It was cosmic. Jim Starlin’s space opera mythos will get its own post eventually. However, after Infinity Gauntlet concluded, the franchise was totally milked. The Infinity Watch series with Adam Warlock, The Infinity War and Infinity Crusade crossovers, it kept going. And I, at the time, loved it.
Another crossover was Avengers: Operation Galactic Storm, about an outer space war between the Kree and Shi’ar empires going to war. Perfect example of this sort of thing. 19 parts I think? It took me forever to track down each one and read the whole thing.
What really deserves mention on this sort of thing is Spider-Man. Oh, Spider-Man in the 90s…
I actually remember going to the bookstore and seeing part 2 of Maximum Carnage and being totally enthralled. I barely knew what was going on, but they hooked me. I had to read them all.
I was totally completist, reading all 14 chapters at full price as they came out. No hunting for back issues, it was the first time I experienced the rush of going to the comic store on Wednesday to read the latest installment.
There sure were a lot of Spider-Man comics back then. Web of, Amazing, Spectacular, Unlimited
I didn’t even understand all those characters, Iron Fist and Deathlok as well as Venom and Carnage. But I liked sensing more to the story.
Met my best friend in the middle school cafeteria, when we noticed each other reading Spider-Man comics
Later in the 90s, Spider-Man would be haunted by the endlessly-complicated clone saga. It got less fun. Too convoluted for its own sake, and even the most diehard fans had enough.
No wonder the franchise was eventually rebooted.
There were some actual good comics in the early 90s. Peter David’s Hulk comes to mind. Although it kept changing tone – Peter David is a great writer but he seems to make it up as he goes along – I jumped in during the Pantheon era. Fun stories like Rick Jones’ wedding, with superheroes in suits!
A better recommendation for Hulks to read might be the awesome Future Imperfect:
Meanwhile, in another corner of the Marvel Universe there was Ghost Rider.
I remember a whole “Spirits of Vengeance” thing with spinoffs galore. It was no Vertigo, but I ate it up as superhero-friendly horror. Morbius the Living Vampire and whatnot. Y’know, there wouldn’t have been a Blade movie if not for those.
Speaking of movies, my original Guardians of the Galaxy was not of that blockbuster movie. The Guardians were a superteam from the 30th century, and only in the last few years did Marvel create a contemporary outer space team of misfits. Anyway, the 30th century version got their own series in the 90s. I always liked that cosmic, Silver Surfer stuff. It was obscure, not a big seller, but I enjoyed the world-building very much.
Speaking of more obscure, the New Warriors. Where Mark Bagley, famed artist of Spider-Man, got his big break. Written by X-Men 90s scribe Fabian Nicieza, the team consisted of Marvel rejects in limbo who could be thrown together. Nova, Speedball, Firestar, some positive diverse characters thrown in for good measure; nothing else to do with them so why not make a new group? I recall it was pretty good. I like team book dynamics. The comics themselves I didn’t actually collect, they belonged to my best friend (mentioned above, the Spidey fan) and I read them all. Ah, bonding.
That said, it’s about time I talk about actual good comics. Like, comics with heart that embrace the superhero genre but are a bit more intelligent. Comics for grownups, nostalgic they may be, but for grownups nonetheless. There wasn’t much of that at Marvel in the mid-90s, but some arose.
The great Mark Waid, very esteemed writer, had began to write for Marvel after leaving DC’s Flash and took up Captain America with Ron Garney. It was mighty good stuff.
And then Marvel had to go and fuck with that.