Time for Warren Ellis, comics writer

https://www.goodreads.com/review/list/765636-ray?shelf=warren-ellis

 

DSC00563

That’s just a blurry pic I took at Comic Con ’07 or ’08. He is SO funny in person.

 

Warren Ellis is a damn interesting writer.

He’s British, smart, and touches on occulty themes, and yet he was not part of the original 90s “British Invasion” of comics writers such as Alan Moore, Neil Gaiman, and Grant Morrison.

His work is violent, intelligent, sometimes dark, with a wicked sense of humor.

In my youth I read some of his Marvel work, like Thor and British X-spinoff Excalibur. I had mixed feelings, because it was that kind of “grim and gritty” style of postmodern comics. Ellis, similar to another (Irish) writer Garth Ennis, clearly hates the superhero genre. He has no use for it, other than a method of making a living sellilng comic scripts. In a perfect world these authors could do other genres without having to slum it among the capes. So they write heroes, all the while cynical and despising what heroism stands for. Still, makes for interesting stories at times.

Warren Ellis is a much sought-after writer for both DC and Marvel, but he rarely does mainstream work anymore. And that’s good.

I became a real fan of the Wildstorm era. Wildstorm, if you recall, was Jim Lee’s company within Image Comics, after all the big name stars left Marvel in the early 90s. Those early comics more than often shit, but Lee ended up with more staying power than, say, Rob Liefeld.

One of those Wildstorm books happened to be Stormwatch, which wasn’t anything great. Seemed another overblown X-Men rippoff about a government team or something. Warren Ellis came upon the title with little fanfair, and it soon gained critical acclaim. No one saw that coming.

I missed it the first time around, but around the mid-2000s I was ruffing it in Los Angeles and enjoyed going to a downtown library. They had an extensive graphic novel collection. I had little money and lots of free time. So I decided to catch up and see what I’d been missing.

Authority_Widescreen_by_Hitch

Stormwatch was cool, but eventually all the characters were killed off and something new came along: Authority. That’s what it was truly all about.

Authorty, illustrated by Bryan Hitch (of Ultimates fame) was one of the first “widescreen” comics. Every issue was epic. It starred Apollo and Midnighter — a gay version of Superman and Batman, and Jenny Sparks the spirit of the Twentieth Century. Unapologetic in its epicness, they fought gods and aliens and were always high-level high-concept.

 

Moreover, Warren Ellis’s greatest legacy would be Transmetropolitan. Those graphic novels I ever so cherished, as they kept me going during my starving artist years…

Transmetropolitan_2

Published by Vertigo, and that’s more like it. Actually was originally published by DC’s “Helix” imprint, but that went under and only Transmetro remained to become one of Vertigo’s most successful.

The story of gonzo journalist Spider Jerusalem in that Hunter S. Thompson vein, but in an unidentified bizarre sci-fi future. There were crazies with alien DNA, a Nixonian character affectionately referred to as “the Beast”, and an even worse President called the “Smiler.”

Each issue punched you in the face and laughed loudly while doing that. Anarchy and journalistic integrity and weird post-science concepts. At 60 issues, by far a record for Ellis. Well done, sir.

 

In the 2000s Ellis continued with some Marvel projects in the midst of the more mature Quesada era. These weren’t quite rated R books from Image or Vertigo, but better than anything else out.

Nextwave Agents of H.A.T.E. was a cult hit, full of B-list characters like Machine Man and Boom Boom fighting against the Beyond corporation’s ‘Unusual Weapons of Mass Destruction.’ H.A.T.E. being a hilariously biting satire of S.H.I.E.L.D. The whole comic was full of pithy one-liners, nothing else like it from Marvel. First arc was about the dragon Fin Fang Foom and had many comments about purple underpants and lack of genitals. Only lasted 12 issues, which is unfortunately typical for Ellis.

Delicious art by Stuart Immonen.

hlwq5li7zeou1uygycoz

 

Meanwhile at Marvel, Mr. Ellis wrote the Iron Man: Extremis storyline. You may recognize the nanotechnological elements in the film Iron Man 3, based off the comic.

 

Outside of the superhero world, we have Fell. This award-winning comic simpler in scope, starring detective Richard Fell in a very dark crime drama.

Fell_-1_cover

 

There were other little books here and there I read, miniseries from Image and Wildstorm post-bought out by DC.

Global Frequency, pretty cool. Typical Ellis, an elite team of agents fighting the secret forces of incomprehensible technology and great mysteries (un)revealed at the end.

Ministry of Space, an alternate reality take on what if proper British gentlemen won the space race.

Red, more spies. The bad movie was based off that, sorry.

Supergod, apocalyptic religious-transhumanist themes published by Avatar Press. I’d recommend a lot of his latter years work from Avatar.

Yet even Warren Ellis sometimes misses the mark. Personally, I had to give up on the webcomic FreakAngels

 

The ultimate Warren Ellis opus would absolutely have to be Planetary: Continue reading

Advertisements

Marvel Comics – 1990s

Previous: Marvel in the 80s

Although I consider the 80s to be the peak, if I still had all those boxes you would find more 90s Marvel than anything else. It would almost be embarrassing, revealing my guiltiest pleasures of camp boys adventure stories. How fun they were.

I have since sold all my Marvels on ebay, saved others, but the memories remain. Again, Goodreads Marvel shelf

It was the 1990s comic boom, when gimmicks and crossovers and COLLECTIBLE NEW ISSUE 1! desperately pleaded you to buy multiple copies. The economy was good, everyone thought they’d get rich by selling Spawn # 1 (they wouldn’t) and I was in the thick of it. More on Image comics in a moment.

Marvel upped their crossovers like never before, and I’d like to start with Infinity War. That is pretty much the epitome of the era. Not to mention they’ll apparently make a movie of it.

infinity-war-avengers-infinity-war-could-be-a-bigger-deal-than-we-think

Infinity Gauntlet, by Jim Starlin, was brilliant. The villainous Thanos destroyed half of all life in the universe. It was cosmic. Jim Starlin’s space opera mythos will get its own post eventually. However, after Infinity Gauntlet concluded, the franchise was totally milked. The Infinity Watch series with Adam Warlock, The Infinity War and Infinity Crusade crossovers, it kept going. And I, at the time, loved it.

Another crossover was Avengers: Operation Galactic Storm, about an outer space war between the Kree and Shi’ar empires going to war. Perfect example of this sort of thing. 19 parts I think? It took me forever to track down each one and read the whole thing.

Avengers-345

What really deserves mention on this sort of thing is Spider-Man. Oh, Spider-Man in the 90s…

I actually remember going to the bookstore and seeing part 2 of Maximum Carnage and being totally enthralled. I barely knew what was going on, but they hooked me. I had to read them all.

tumblr_l58zyfHbBW1qcbsd5o1_400

I was totally completist, reading all 14 chapters at full price as they came out. No hunting for back issues, it was the first time I experienced the rush of going to the comic store on Wednesday to read the latest installment.

There sure were a lot of Spider-Man comics back then. Web of, Amazing, Spectacular, Unlimited

I didn’t even understand all those characters, Iron Fist and Deathlok as well as Venom and Carnage. But I liked sensing more to the story.

covers-of-Maximum-Carnage

Met my best friend in the middle school cafeteria, when we noticed each other reading Spider-Man comics

Later in the 90s, Spider-Man would be haunted by the endlessly-complicated clone saga. It got less fun. Too convoluted for its own sake, and even the most diehard fans had enough.

Spider-Man_Clone_Saga

No wonder the franchise was eventually rebooted.

There were some actual good comics in the early 90s. Peter David’s Hulk comes to mind. Although it kept changing tone – Peter David is a great writer but he seems to make it up as he goes along – I jumped in during the Pantheon era. Fun stories like Rick Jones’ wedding, with superheroes in suits!

splash-hulk-418

A better recommendation for Hulks to read might be the awesome Future Imperfect:

61713-4793-94708-1-hulk-future-imperfe

Meanwhile, in another corner of the Marvel Universe there was Ghost Rider.

GhostRider_vol_2_issue_1

I remember a whole “Spirits of Vengeance” thing with spinoffs galore. It was no Vertigo, but I ate it up as superhero-friendly horror. Morbius the Living Vampire and whatnot. Y’know, there wouldn’t have been a Blade movie if not for those.

Speaking of movies, my original Guardians of the Galaxy was not of that blockbuster movie. The Guardians were a superteam from the 30th century, and only in the last few years did Marvel create a contemporary outer space team of misfits. Anyway, the 30th century version got their own series in the 90s. I always liked that cosmic, Silver Surfer stuff. It was obscure, not a big seller, but I enjoyed the world-building very much.

gotg4

Speaking of more obscure, the New Warriors. Where Mark Bagley, famed artist of Spider-Man, got his big break. Written by X-Men 90s scribe Fabian Nicieza, the team consisted of Marvel rejects in limbo who could be thrown together. Nova, Speedball, Firestar, some positive diverse characters thrown in for good measure; nothing else to do with them so why not make a new group? I recall it was pretty good. I like team book dynamics. The comics themselves I didn’t actually collect, they belonged to my best friend (mentioned above, the Spidey fan) and I read them all. Ah, bonding.

1811322-new_warriors__1990_1st_series__19

That said, it’s about time I talk about actual good comics. Like, comics with heart that embrace the superhero genre but are a bit more intelligent. Comics for grownups, nostalgic they may be, but for grownups nonetheless. There wasn’t much of that at Marvel in the mid-90s, but some arose.

The great Mark Waid, very esteemed writer, had began to write for Marvel after leaving DC’s Flash and took up Captain America with Ron Garney. It was mighty good stuff.

r620-e30a7874150ec5800241147949347bdc

And then Marvel had to go and fuck with that.

Continue reading