My epic summary of all my favorite comics has now concluded.
I shall now epilogue this blog series with a simple post about what I am currently reading.
In the end, I hate to say it, it’s still kinda about Marvel vs. DC.
Consider that both mainstream superhero comics are simultaneously promoting very similar continuity-rebooting crossovers about alternate universe locales being stolen away and various versions of characters fighting each other: Secret Wars and Convergence.
I got a free preview for Secret Wars. Now all the universes are dying, and the Ultimate and 818 will combine! Or something. I do like Jonathan Hickman and followed his Avengers run, which all led up to this. Guess I’ll do the graphic novel eventually…
Convergence is interesting, in that it’s less of a big deal but it includes callbacks to DC eras I once enjoyed and now miss. Specifically the pre-52 DC of the 90s and 2000s! I do love that Wally West is the Flash and has a family, and Clark Kent is married to Lois Lane (by Dan Jurgens no less). What can I say? I’m sappy that way sometimes.
Also, I’ll definitely be reading New Teen Titans by Marv Wolfman and Nightwing/Oracle by Gail Simone.
Speaking of DC and parallel Earths, Grant Morrison on Multiversity. I finally completed the story with the final issues and they are very, very good. Not Morrison’s best, but what could ever be that brilliant? Fun cosmic action as only he can do it, of course with many metafictional elements. One of the best things is that it’s self-contained without requiring endless crossovers to tell the story of Ultra and multiple Supermen against the archetypal hordes of cynicism. Perhaps there will be a sequel but I hope it doesn’t take too many years to come out.
Speaking of brilliant, the highly literary League of Extraordinary Gentlemen by Alan Moore and Kevin O’Neil. I want to round out the Nemo trilogy with River of Ghosts. It’s already been out but I haven’t gotten the chance to purchase it yet. Damn you Hong Kong comic shops last week! After tthis hat, perhaps no Moore comics for another decade. So story of Captain Nemo’s daughter in Nazi South America better be good.
Speaking of acclaimed British authors, Neil Gaiman. Sandman Overture, the late update to the 90s classic, has been coming out very slowly. The incredible art by J.H. Williams is worth it, but I may be regretting already buying the individual issues and not waiting for the inevitable reprint. Dreams, dreams, dreams.
And speaking of Vertigo: Fables. The long-running series about fairy tale people hiding out in modern New York — the greatest currently published by DC/Vertigo — is ending after all these years. The trade paperback editions actually sell more than the magazine issues, so the final issue 150 will apparently also be a full graphic novel volume 22. That’s an amazing idea. But will take until late July to be completed by artist Mark Buckingham.
Whatever will happen to Snow White and rivalrous sibling Rose Red and the Camelot metaphor? I’m dying to know. Writer Bill Willingham hasn’t been apprehensive about killing off a lot of major characters; anything could happen.
So good, I even got my girlfriend to become a Fables fan.
Meanwhile, I’m catching up on spinoffs like Fairest.
Can’t leave out my favorite Shonen Jump manga One Piece! By the hilarious Eiichiro Oda, Volume 74 has been released for over a month, how can I be so late?! Super stretchy pirate Luffy in the tournament and fighting against warlord Doflamingo must be one of the great all-time manga climaxes. Dressrosa, what a country. I heard a certain guy from Luffy’s past isn’t dead after all. I. Need. To. Read. Now.
All you people reading the scans are way ahead and even the anime is past that, yet I still insist on supporting the official Viz translation.
And that’s it. Those are the comics I currently read.
(At least the ones I buy. No comment on pirated online and such.)
Thanks for following along with my blog, all you comics fans out there! It was fun sharing, and even if you aren’t a fan I hope I introduced you to some possibilities of new reading materials. Read and read alike, it’s good for you 🙂
Previous: Manga 漫画 マンガ!
When I wrote about my favorite manga growing up in the 90s and 2000s in the above, you may have noted a certain title concerning dragons and balls to be noticeably absent.
And when it comes to nowadays, you may have wondered where are the pirates and ninjas.
That’s because Shonen Jump deserves a post all it’s own
The most popular comics in the world are published by Shonen Jump anthology magazine in Japan. Although Shonen implies adolescent boys, males and females of all ages have enjoyed these tales.
The Japanese comic model is more sustainable than the American magazine system, with its color and ads, as in Japan you can buy these phone book-sized anthology books before the little tankōbon graphic novels.
In 2003, Viz published an American edition. I started from the beginning, reading my favorite titles over a decade a go. I believe it’s only digital now.
But let me go back further than that, to Dragon Ball and its maturation into Dragon Ball Z (the distinction is only made in the anime series on television). It was certainly one that consumed my teenagehood. Akira Toriyama, already famous for Dr. Slump, created this Monkey King analogue about a certain Son Goku searching for dragon balls to make wishs and the adventures along the way. It soon became his most popular series, and he went on with it to ridiculous lengths
The fighting became more over the top, with cosmic escalations. Characters began to have the power to destroy the Earth — although the Earth always was this strange fantasy-land which is another trope of the Shonen Jump greats below. Further tropes were time skips and subsequent aging, villains from earlier arcs becoming heroes, and characters dying yet continuing on in an afterlife setting. Not to mention the slow pace of story-telling, waiting for our hero to save the day after training…
Power level over 5000! Remember when that was a big deal to Vegeta? Then Super Saiyans and 2s and 3s and androids and Majin Boo. The best villains were always the aliens, though I almost thought the story should’ve ended with Frieza.
Dragon Ball GT just sucked, only consider the canon. Only those based directly off the manga comics were canon, that goes for all anime series. Though the occasional film directed by the creator counts as well, such as Battle of the Gods and One Piece Z and the upcoming Naruto the Last.
Eventually, I read the entire manga; that’s 42 books at 519 chapters. And the current stories I like — Naruto and One Piece — run far longer than even that.
But I was first introduced to DBZ on television. In middle school, there were a few episodes of Dragon Ball and Dragon Ball Z on network television. That didn’t last long, but luckily Cartoon Network aired the whole series and it took off on American pop culture and we all remember it fondly. It was an era.
I also liked Yu Yu Hakusho/Poltergeist Report, back in the early days of Toonami. The story of bad boy ghost Yusuke contained similar themes of afterlife and demons and saving the world in increasingly-epic fights. Much shorter though; didn’t take all those years to go through series — manga nor anime.
Also, about another dead guy. Bleach I started out reading but never got too into it. More power to you if you happen to be a fan.
These days… Naruto!
Patriot that I am, I have always been a great fan of American comics — and by association that goes for various British authors as well. I grew up on superheroes primarily, though of course comics is a medium not a genre and there’s no reason I can’t read more literary and independent series along with the flying adolescent fantasies.
However, so far I admit to having been too Western-centric. There happens to be a whole other country with a tremendous comics tradition that dwarfs the whole of North America and Europe together. I speak of course, of that mysterious land of Japan.
Goodreads shelf: manga
The Eastern style is so different, and in many ways superior to the assembly-line system of writers, artists, inker and colorist . The cartoonist in Japan is almost always both author and illustrator, the he or she is helped by assistants. Black and white except for special occasions. Adaptations, usually made famous in anime productions, are word-for-word and shot-by-shot remakes extremely faithful to the source material. Comics being taken seriously by the literary world is fairly recent in the West, yet Japan embraced adult comics right after the post-war period as an efficient form of entertainment when they couldn’t afford to make films. They are produced quickly, read fast, and often stories come into hundreds of chapters (dozens of graphic novel volumes) for a story to be patiently completed by the auteur.
I recommend the brilliant essay/graphic novel Understanding Comics by Scott McCloud to delve deeply into the nature of East vs. West art forms, upon the subjects of minimalism and respect for words & pictures at once as well as studies on neurological effects of cartoons.
Let’s start with some history. Best place to begin is with Osamu Tezuka, the God of Manga. An insanely-prolific writer and artist, the mangaka drew over 100,000 pages in his lifetime! Originally inspired by Disney stylings, he soon found his own voice in the 1950s and 60s. Funny how Disney later ripped off his Kimba the White Lion with a certain lion king…
I came late to the party, but did all I could to read his best works in my late teens and early twenties in the 90s and 2000s.
You may know the character of Astro Boy.
Tezuka was originally trained as a doctor before he found his artistic calling, and his medical drama Black Jack comes highly recommended.
There was also Adolf, about World War II. Buddha, biography of the holy one. Phoenix, an epic tale that bounced from ancient Japanese history to the far future.
Here’s the Goodreads shelf for more:
Now, I wasn’t watching the Astro Boy cartoon in the 1960s. I got into anime in the 90s like everybody else starting with a VHS tape of Akira.
I was way too young to be watching a movie like that, and I was blown away. The most badass cyberpunk film ever made, still awesome today.
“Neo-Tokyo is about to explode.”
The comic was even better. While the film had the title character — the government pscychic test subject Akira — only as brain tissue in jars, the comic had the super child reborn. And, when Neo-Tokyo was nuked the film ended. That was only half of the comics series. Then it continued twice as long with in the post-apocalyptic wasteland of World War IV. With incredibly detailed art work by Katsuhiro Otomo, who also directed the film.
There were higher standards back then. When manga really blew up in the 2000s, we learned that Japan produces a lot of crap as well. But in the 90s only the best of the best was worth translating into English. Dark Horse Comics in particular was the quality publishing company of record.
Ghost in the Shell, by Masamune Shirow, took hard science fiction to a whole other level.
Masamune Shirow was never very prolific, but his books had a level of intricacy and know-how never before seen. Appleseed was more his opus, but Ghost in the Shell became his main franchise still going strong today. I enjoyed Black Magic and Orion equally.
But it wasn’t all seriousness and mindfuck scifi. A lot of these comics were more fun. Take the comics published by Viz:
I remember me and my sister bonding over Ranma, the gender-bending comedy of a martial artist who turns into a girl, with bunches of supporting characters who turned to animals. Challenging cisgender heteronormalcy before it was cool.
I wasn’t as into Sailor Moon as my sister, and most Shōjo is frankly crap. It was the works by top female mangaka Rumiko Takahashi that were so funny and so creative. I went further back, and discovered old Urusei Yatsura stories from the 70s about an alien demoness named Lum and her pervert ‘boyfriend.’
I never did get into Inuyasha though.
I like to share. Over the course of this blog, I’ve shared my writings, some of my taste in music, and yes my love-life. However, one aspect that I consider very important to my identity has been rather neglected. I speak of my biggest hobby of all, my first love. Comics. There are many facets to the complexity that is me Ray, but if anyone is interested in truly knowing the core of my being then you must know that I am ultimately.. a bigass comic geek. I used to go to the comic shop every Wednesday. I used to scour for good deals at used bookstores and comic conventions. I collected thousands of periodicals across all genres, and filled my various bedrooms with dozens of boxes. At last count, I had about 40 boxes. They contain over a hundred issues each, do the math. I have less now, that’s another story, but still a ton of these back in my dad’s closet in Indiana of all places.
To introduce this series detailing my great interest in the sequential art form, let me begin with profile links from my extensive Goodreads:
According to my Goodreads shelves, I have read over 1000 graphic novels (I think it’s more, that’s just what I recalled to list)
There are all kinds, all genres. But I must admit mostly superhero- https://www.goodreads.com/review/list/765636?shelf=superhero
Split into DC and Marvel (I’m more into DC, least I used to be) https://www.goodreads.com/review/list/765636?shelf=dc https://www.goodreads.com/review/list/765636?shelf=marvel
Also, quite a lot of Japanese manga
Such as the fun volumes of Shonen Jump https://www.goodreads.com/review/list/765636?shelf=shonen-janpu
The “God of Manga” Osamu Tezuka
I do, of course, contend that comics are as literature as prose books Noting DC’s adult imprint Vertigo
Indie as well, all that which defies classification https://www.goodreads.com/review/list/765636?shelf=indie
My favorite authors: