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“GOOD Chinese Wife” is a new memoir published by Sourcebooks, and is a poignant tale expats should enjoy about the overlap of China and the West. Susan Blumberg-Kason details her unfortunate marriage to a Chinese music scholar, as they meet while studying in Hong Kong and then travel to his hometown in Hubei Province before eventually settling in San Francisco, California.
The central question posed by their troubled relationship is whether their differences were due to culture or personality. Interracial marriages may have some problems, but are certain individual defects masked by the excuse of culture?
As their relationship begins, Blumberg-Kason appreciates her future husband’s background. She studies Mandarin as a postgraduate in Hong Kong in the early 1990s, and stays there through the time of the handover in 1997, and for a reader familiar with South China it can be very interesting to compare that time with the current era.
The shy student falls in love with Cai, a handsome divorcee and ethnomusicology major, and the fact that he quickly escalates into topics of marriage on early dates seems to be a source of attraction for her. In that sense, the cultural difference was an advantage.
The book goes over her travels to the Hidden River village in Hunan and subsequent meetings with Cai’s family, and serves as a good introduction to Chinese culture for readers new to the subject of China. Blumberg-Kason is very knowledgeable, and the book is also peppered with quotes from Ban Zhao’s traditional “Instruction for Chinese Women and Girls” which contrasts well with the narrative.
The memoir deals with many hard truths, and Blumberg-Kason can be very frank with personal matters. The first sex scene comes as a shock to the reader, not because of graphic depictions, but because of the realization that the couple is engaged to be married yet they have not even reached that intimate stage. When she does get married, at the young age of 24, their passionless first night together during a honeymoon in a Hong Kong hotel further foreshadows more troubles.
Time and time again, as the book progresses, Blumberg-Kason questions herself and accommodates Cai’s behavior, yet he doesn’t seem to care about his wife’s concerns. From the isolating vacations in his home town, to skipping out on going to an import foreign-language bookstore in Shanghai and an interest in “yellow films” over his own wife, the reader wonders why she comes across so weak and why she puts up with him.
Pregnant, they move to America and the situation worsens. He does not adapt well to living abroad, and constantly complains to her. Though Blumberg-Kason claims he is a good husband during her pregnancy, he grows more distant after their son is born and the book darkens in tone. In particular, when he gives her a STD and then denies it, the situation couldn’t be worse. Always trying to keep the peace, she repeatedly states that she didn’t want to know the truth about his private life.
It soon becomes obvious that their marriage will not work, and yet it takes a long time for the book to finally reach the point when Blumberg-Kason stands up for herself and leaves him. Cai even says to her: “You’re lucky I don’t hit you.” After she gives birth to their son, he tells her “Women are dirty.”
It is a sad state that this is a nonfiction memoir, and so many real women stay in such relationships for far too long. Perhaps there is a lesson there about not rushing into marriage.
“Good Chinese Wife” is well-written and reads like a page-turner novel, although it does get stuck in details at times. If it were a novel, the passages about student dances and descriptions of clothes and food might be cut due to not being relevant to the plot. But the book is a memoir, which is dense with everything Blumberg-Kason has chosen to share.
This book is recommended for readers interested in contemporary Chinese culture, as well as for anyone who has ever experienced problems stemming from cultural differences.
“Good Chinese Wife” is available at bookstores in Hong Kong and on Amazon.
For more from this author, see Susan Blumberg-Kason’s blog at susanbkason.com.
Culture is somewhat vague because it only explains general/large trends. I feel integrity, kindness, being considerate transcend culture.
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I agree, good qualities transcend culture and should be human universals. The book poses a question, and I think the question is answered. Culture is no excuse for a poor relationship.
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Yeah. And, cultural differences don’t always have to be negative either.
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Thanks so much for this fantastic review! I have had so many interesting conversations with friends about culture vs personality. One friend from HK thought it was all cultural, whereas another who was born in China thought it was all personality. So fascinating.
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There’s something I thought about writing in the review, to dissuade negative prejudices, but I didn’t think it was appropriate to talk about myself in the review.
I’ve known several Chinese men-Western women interracial couples. The men in those couple, just based on anecdotal experience that I’ve seen from time to time, tend to be very international-minded and creative and generally highly cool. They tend to be the opposite of the stereotypical Chinese man anyway.
While there are general cultural patterns, they are never 100% a factor. The truth is, everyone in the world is an individual and should have the right to be judged by what they do as one person, be it good or bad.
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cool you got to review it too! it was a great book! loved it!
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Reblogged this on Shenzhen Noted and commented:
A fellow Shenzhen expat has reviewed Susan Blumberg-Kason’s memoir, Good Chinese Wife. I am also a 中国媳妇 and find myself distressed by the suffering and self doubt that characterized her relationship with her ex-husband. In fact, Blumberg-Kason’s anxieties and willingness to give her husband the benefit of the cultural doubt resonated uncomfortably. I believe that one of the biggest challenges for women abroad is to find the confidence to trust our experience and say, “No more of this shit.” Another Shenzhen expat, writes about her experiences navigating the gendered cultural divide is , who blogs at China Elevator Stories.
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I am well aware of China Elevator Stories!
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