DC Comics – 1980s

Previous: DC Comics – 90s

I think we can all agree that the 80s was among the top decades ever. In the world of comics (at least, American mainstream superhero comics), it was the decade the medium finally matured into a respectable art form for adults.

I definitely grew up on Marvel, but in my later teens I chose to focus on DC, and from my early and mid-twenties I spent untold hours scouring for back issues to fill in the historical gaps.

The truth is, Marvel was revolutionary in the 1960s but DC — that stuffy old company famous for square-faced Superman and Adam West-era Batman — did catch up. Green Arrow/Green Lantern by Dennis O’Neil in the 70s comes to mind. By the 80s, there were plenty of literary books.

As for Watchmen by Alan Moore and Dave Gibbons, and The Dark Knight Returns by Frank Miller, it says a lot those seminal tomes were published by DC. But you’ll have to wait until my inevitable Alan Moore and Batman-themed posts for more on those. Same bat-time, same bat-channel!

Allow me to skip ahead in the timeline of the DC Universe, whereas the centerpiece would definitely be 1985’s Crisis on Infinite Earths. The mega-crossover revitalized the entire multiverse, with a cosmic menace requiring the heroes of all the different earths and time periods and planets, and an ending that took all the realities and put them into one big universe. RIP Supergirl and Barry Allen Flash…

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Written by Marv Wolfman and illustrated by George Perez, it was a masterpiece.

Speaking of which, to go a bit further back on that creative team: Wolfman and Perez tother first came to prominence with the New Teen Titans. We forget now, but for a time they were the rivals to Marvel’s X-Men. That successful.

Sidekicks Robin, Kid Flash, and Wonder Girl were joined by newcomers Cyborg, Starfire, and Raven. Changeling/Beast Boy too. You may know the cartoon.

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Cyborg was futuristic-transhumanist science fiction, Starfire was space opera, and Raven was supernatural horror. All the neccesary genres for superhero adventures. Add that to character development and the occasional soap opera storylines, and the formula made for solid great comics. Too bad the Titans have never been able to live up to that pre-Crisis era since.

 

Pre-Crisis DC, that was back when there were all those numbered Earths. The Golden Age 1940s continuity was called Earth 2, with the Justice Society and the original Action Comes #1 Superman. Writer Roy Thomas, who might be the most knowledgeable man in all the field, wrote about the WWII-ea in All-Star Squadron. It was followed up Infinity, Inc., which wasn’t as good but interestingly showcased the sons and daughters of the Justice Society in modern times. I do like my superheroes generational, a sense of history.

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Then Crisis happened. All those Earths were now one. History was rebooted. Earths 1 and 2 had the same timeline all along. It’s confusing, I know.

The first post-Crisis crossover to introduce this new streamlined universe was Legends, helmed by Marvel’s popular writer-artist John Byrne and John Ostrander. It pitted DC characters against Jack Kirby’s Fourth World, which the ultimate epic villain of Darkseid.

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Then, the Suicide Squad grew out of Legends. This ragtag team of supervillains employed by the government was, in a word, awesome. Very cool, very badass. Who knew corny DC villains could be written with such edge? Captain Boomerang, Deadshot. And a lot of the characters died in these suicide missions, some of them not even coming back to life. And who doesn’t love Amanda Waller?

Apparently there will be a movie of the squad soon enough.

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Most important of all, the new Justice League evolved out of Legends. It was the latest incarnation, the Justice Leauge International, most often referred to as the “Bwahaha! era.

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Believe it or not, it was a comedy comic. Cowritten by esteemed writer J.M. DeMatteis and Keith Giffen, it kind of showed what it was like to hang out as a superhero in the off time of saving the world. It had Guy Gardner as Green Lantern, who was refreshingly a dick for a superhero, Martian Manhunter as elder statesmen, best buds Booster Gold and Blue Beetle, girlfriends Fire and Ice, and of course Batman being super cool Batman.

I tracked down every single one of those issues. I still have the full run to this day, including Justice Leauge Europe. They did fight supervillains like Desparo and had crossovers with the extremely serious Suicide Squad, but mostly it was a return to comics being fun. Unfortunately, after Giffen and DeMatteis left the League became convoluted through the 90s until Grant Morrison revitalized the franchise with back-to-the-basics JLA. But that is a post for another day.

“One punch…”

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DC Comics – 1990s

Previous: Marvel Comics – 1990s

DC vs Marvel, the original nerd debate…

First of all, I grew up on Marvel. The House of Ideas, “Stan Lee presents…” all that. It sustained me during my awkward adolescence. And then, I grew out of it.

By the middle of my high school years, I was still very much obsessed with comics but my standards were higher. While Marvel always focused on art, DC focused more on writing. It’s a fact you can look up: in comics scriptwriting there is a style called the Marvel style in which the author makes a brief outline, and the artist effectively tells the story (like a film director) and afterwards the author fills in the dialogue. It evolved from Stan Lee and Jack Kirby doing a dozen comics a month during the Silver Age in the 60s.

DC is more traditional. They do scripts with all the panel layouts and details written in, and depending on how visual a thinker the writer that can include a lot of detail. Think of a film/TV script except the writer actually has authority. So while Marvel had all their famous artists  and had all their editorial-controlled characters in endless crossovers, DC had far more literary stories. Especially back in the 90s. Marvel always outsold the latter, but DC won awards and eventually even created the Vertigo imprint for more mature, adult-oriented work.

DC Goodreads shelf

For me, it mostly began with the seminal Death of Superman event. Remember that? Doomsday, the four replacements, the post-resurrection mullet. It was awesome! Like many casual readers, I ate that up. Unlike many others, I stuck around and went backwards and learned all about such histories as the Eradicator and so on.

However, an important character like Superman will soon get his own post. Batman as well. Then Vertigo, and various authors. This post is simply about DC in general in the decade.

Starting from that jumping point, Dan Jurgens was one of the main architects of the Superman mythos in the 90s and he was also briefly in charge of the Justice League. If you remember from the Death of Superman graphic novel, there was the Blue Beetle and Booster Gold, Fire & Ice. That actually goes back to the 80s Justice League. (80s post next. It’s tricky writing these things going backwards chronologically.)

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Dan Jurgens was also unfortunately responsible for writing and illustrating the 1994 crossover Zero Hour. It was itself a pale shadow of the epic Crisis on Infinite Earths of the 1980s – again, next post – and frankly it wasn’t that good. Green Lantern turned out to be the villain, they tried to fix some continuity problems, and they released special issue number “zero”s with new origin stories.

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Some of the tie-ins were good, some weren’t. I read many of them. In doing so, I realized I had a lot of work ahead of me to master this new universe. Exciting times for an escapist teen… I proceeded to go to my local bookstore, back when Borders was a thing (RIP Borders!) and read all the graphic novels I could. I did my usual thing of searching for discount back issues at used markets. On Wednesdays I filled up my pull list with the best of DC.

Yes, the teenage me of the mid-90s really wanted to focus all his attention on learning about the DC Universe. Seemed like a good idea at the time, seemed I had nothing better to do. I am glad I did. The fondest memories of that age.

Let’s continue with writer Mark Waid and the Flash.

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Looks like the Flash is already getting some new buzz with the TV show. I heard it’s good. I’ll binge-watch it later.

The Flash does in fact have one of the greatest rogues gallery in comics, right up there with Batman in Spider-Man, and they’re called the Rogues. Captain Boomerang, Captain Cold, the Trickster, Grodd. There were many Flashes in fact, and my incarnation will always be Wally West the former Kid Flash. I loved that he had no secret identity, that he grew up in the community of superheroes. I enjoyed the generational and family elements with all the different Flashes. There was time travel, speedster ninjas, all you could want. None of that lame dystopianism that other superhero comics faked in bad attempts to be relevant; Mark Waid always knew how to write with heart and respect to the genre. Waid made Flash a must-read comic, added the Zen-style “speed force” to it all, and also created Impluse.

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Mr. Waid’s true opus was the 1996 miniseries Kingdom Come, brilliantly painted by Alex Ross of Marvels fame. While Marvels was about the past, Kingdom Come was about the future. With much commentary about bad 90s comics, the plot concerned an aging Superman coming out of retirement to save a bitter, cynical world from violent antiheroes.

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Every page contained a thousand references. This kind of story must be studied to be fully appreciated. I also liked the less-acclaimed followup, The Kingdom, which further fleshed out the setting of tomorrow.

Peter David was a fine writer, let me reiterate. While I first came across his writing in the X-Men spinoff X-Factor, and of course the Hulk, my favorite of his work was Aquaman (Also Supergirl, but about that later Superman post…)

Aquaman has always gotten an undeserved bad rap, damn you Superfriends cartoon! It was the 90s, they had to make him “badass” with the hook for hand and long hair. But I think it worked. I enjoyed the mythology of Atlantis, the politics of his being a king, and the revamped origin story in which he was raised by dolphins.

Aquaman17_(1996)

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Marvel Comics – 1990s

Previous: Marvel in the 80s

Although I consider the 80s to be the peak, if I still had all those boxes you would find more 90s Marvel than anything else. It would almost be embarrassing, revealing my guiltiest pleasures of camp boys adventure stories. How fun they were.

I have since sold all my Marvels on ebay, saved others, but the memories remain. Again, Goodreads Marvel shelf

It was the 1990s comic boom, when gimmicks and crossovers and COLLECTIBLE NEW ISSUE 1! desperately pleaded you to buy multiple copies. The economy was good, everyone thought they’d get rich by selling Spawn # 1 (they wouldn’t) and I was in the thick of it. More on Image comics in a moment.

Marvel upped their crossovers like never before, and I’d like to start with Infinity War. That is pretty much the epitome of the era. Not to mention they’ll apparently make a movie of it.

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Infinity Gauntlet, by Jim Starlin, was brilliant. The villainous Thanos destroyed half of all life in the universe. It was cosmic. Jim Starlin’s space opera mythos will get its own post eventually. However, after Infinity Gauntlet concluded, the franchise was totally milked. The Infinity Watch series with Adam Warlock, The Infinity War and Infinity Crusade crossovers, it kept going. And I, at the time, loved it.

Another crossover was Avengers: Operation Galactic Storm, about an outer space war between the Kree and Shi’ar empires going to war. Perfect example of this sort of thing. 19 parts I think? It took me forever to track down each one and read the whole thing.

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What really deserves mention on this sort of thing is Spider-Man. Oh, Spider-Man in the 90s…

I actually remember going to the bookstore and seeing part 2 of Maximum Carnage and being totally enthralled. I barely knew what was going on, but they hooked me. I had to read them all.

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I was totally completist, reading all 14 chapters at full price as they came out. No hunting for back issues, it was the first time I experienced the rush of going to the comic store on Wednesday to read the latest installment.

There sure were a lot of Spider-Man comics back then. Web of, Amazing, Spectacular, Unlimited

I didn’t even understand all those characters, Iron Fist and Deathlok as well as Venom and Carnage. But I liked sensing more to the story.

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Met my best friend in the middle school cafeteria, when we noticed each other reading Spider-Man comics

Later in the 90s, Spider-Man would be haunted by the endlessly-complicated clone saga. It got less fun. Too convoluted for its own sake, and even the most diehard fans had enough.

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No wonder the franchise was eventually rebooted.

There were some actual good comics in the early 90s. Peter David’s Hulk comes to mind. Although it kept changing tone – Peter David is a great writer but he seems to make it up as he goes along – I jumped in during the Pantheon era. Fun stories like Rick Jones’ wedding, with superheroes in suits!

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A better recommendation for Hulks to read might be the awesome Future Imperfect:

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Meanwhile, in another corner of the Marvel Universe there was Ghost Rider.

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I remember a whole “Spirits of Vengeance” thing with spinoffs galore. It was no Vertigo, but I ate it up as superhero-friendly horror. Morbius the Living Vampire and whatnot. Y’know, there wouldn’t have been a Blade movie if not for those.

Speaking of movies, my original Guardians of the Galaxy was not of that blockbuster movie. The Guardians were a superteam from the 30th century, and only in the last few years did Marvel create a contemporary outer space team of misfits. Anyway, the 30th century version got their own series in the 90s. I always liked that cosmic, Silver Surfer stuff. It was obscure, not a big seller, but I enjoyed the world-building very much.

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Speaking of more obscure, the New Warriors. Where Mark Bagley, famed artist of Spider-Man, got his big break. Written by X-Men 90s scribe Fabian Nicieza, the team consisted of Marvel rejects in limbo who could be thrown together. Nova, Speedball, Firestar, some positive diverse characters thrown in for good measure; nothing else to do with them so why not make a new group? I recall it was pretty good. I like team book dynamics. The comics themselves I didn’t actually collect, they belonged to my best friend (mentioned above, the Spidey fan) and I read them all. Ah, bonding.

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That said, it’s about time I talk about actual good comics. Like, comics with heart that embrace the superhero genre but are a bit more intelligent. Comics for grownups, nostalgic they may be, but for grownups nonetheless. There wasn’t much of that at Marvel in the mid-90s, but some arose.

The great Mark Waid, very esteemed writer, had began to write for Marvel after leaving DC’s Flash and took up Captain America with Ron Garney. It was mighty good stuff.

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And then Marvel had to go and fuck with that.

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Marvel Comics – 1980s

Previously: Growing up with the X-Men

The Uncanny X-Men were my absolute favorites when I was young, but those were not the only comics I was into. I had a great love for the whole Marvel Universe, and like the mutant corner of the epic tessaract room, I too was introduced to Spider-Man and the Avengers and the Fantastic Four by living in a house full of 80s comics…

I was never a Spider-Man completist, but with SO MANY Spider-Man spinoffs out there, Marvel really milked the franchise and I read a lot. Amazing, Spectacular, Web of. At least X-Men were teams and had spinoffs, how did Spider-Man get so many titles? The classic character, of course, has among the greatest rogue’s gallery. Peter Parker was also a relatable guy, and for this reason the underdog of superheroes because the most popular flagship of a whole company.

Some say that Spider-Man lost it when he got married. I didn’t think so, I liked the continuity and growth in the character’s life. Marvel has since, as all comics readers know, retroactively rewritten Spidey’s history so he was no longer ever married. Talk about a harsh annulment!

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Speaking of Spider-Man and X-Men and more, Secret Wars was the perfect story to tie together all the superheroes. Required reading in 84, it was on of the great original crossovers. Secret Wars took all the main heroes and villains and thanks to the mysterious Beyonder they were put a planet to fight a war. Nowadays crossovers are a comics cliche, but back then it was a big deal. Certainly a big deal for me to read.

I read it out of order, finding random back issues and more until I completed the story years later. The chapter introducing Spider-Man’s new costume was hard to get — expensive (the costume was precursor to Venom) — but eventually I bought the bullet and paid.

That’s how it was back then, piecing together the Marvel Universe.

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The sequel Secret Wars II sucked by the way. Trying to be philosophical and shit, the omnipotent Beyonder went to Earth and took human form and became a lame 80s hipster. Really terrible stuff.

But Marvel could do better.

This was the era of the great writer-artists. Truly great reads.

John Byrne’s science fictional Fantastic Four, took them to the Skrull Galaxy and Eon the Living Planet and the Negative Zone antimatter dimension and the microverse. Let us not forget, the mighty Galactus.

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Walter Simonson’s high fantasy Norse epic of Thor, as Thor’s world was fleshed out in Asgard joined by Balder the Brave. The actual mythologies were utilized as Ragnarok occurred, the end of the world, with Allfather Odin himself fighting the evil Surtur.

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Later I caught up on all the tradepaperback reprints of Frank Miller’s seminal noir-eque Daredevil (note that Miller is famed for Sin City, but this was his previous mainstream work leading up to that). Groundbreaking at the time.

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That covers all the main genres of adventure stories.

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Growing up with the X-Men

“Da na na na NA NA!”

That’s supposed to be the X-Men Animated Series theme song. Remember that? If you’re a member of my generation, should be a fond memory…

Fox X-Men Animated Series 1992 to 1997

Can’t you just hear the theme song?

 

Little did my early childhood self know, but there was a lot more to X-Men than that 90s Zeitgeist.

As detailed in my last post: My History of Comics, once upon a time in my adolescence I was given the awesome gift of about a hundred 1980s X-Men comics (as well as New Mutants and X-Factor spinoffs, more on that in a moment). Written by Chris Claremont, this was the crème de la crème of the superhero genre. It changed my reading habits — and hence, my life — forever.

Although these comics posts are mean to be about my experience, I will delve into the greater history of comics for a bit. In Marvel Comic’s “Silver Age” era in the 1960s, Stan Lee and Jack Kirby, that is, probably just Jack Kirby, created the X-Men. Cyclops, Angel, Best, Iceman, and Marvel Girl/Jean Grey. It was actually more of a failure compared to Fantastic Four and the Avengers at that time. Yet, in the late 1970s came the All New All Different X-Men and American superhero comics suddenly matured.

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Dave Cockrum?

 

With an international cast, featuring the Canadian Wolverine and the African Storm as well as many others, it brought much-needed diversity to the superhero genre. In particular were the many strong, female characters. (Funny though it is that the X-Men were so feminist.)

It still pisses me off that the movies don’t get that. I’ll be complaining about the movies a lot in this post.

By the 1980s, the Uncanny X-Men were the best of the best. While Marvel was publishing a lot of cherished works, scribe Chris Claremont was building an amazing mythology unequaled with anything else out there. He took the metaphor of mutants-as-oppressed-minority and went with it unseen depths. He wrote with equal ease in outer space settings, as the alien Shi’ar Empire fought the Phoenix and the Brood. He wrote about magical concepts, with Colossus’s sister Illyana the ruler of the mystical demonic realm of Limbo. He was on fire, and he stuck with the characters on fire for 16 years from 1975 to 1991. Although, yes, if you wanna critique we was and is a very wordy writer.

My bundle of X-Mens covered about 180 – 240. But with many other heres-and-theres, I got the Dark Phoenix saga graphic novel collection and Classic X-Men reprints. The fun of collecting comics back then was to fill in the gaps and slowly piece together the greater story over the course of years. Then I got X-Factor 1 – 50, the spinoff featuring the original X-Men such as Cyclops, which covered many crossovers. As well as bunches and bunches of New Mutants.

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The New Mutants, next generation of students at Xavier’s

 

By the time I hit the ground running, Magneto had joined the X-Men in issue 200 and then there was the Mutant Massacre and then for a darker period the X-Men had “died” in the Fall of the Mutants storyline in 225 and lived in Australia while being drawn by Marc Silvestri, and then the demonic Inferno crossover around issue 240 brought together X-Factor and others. Wow fun times!

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Silvestri, love that art

 

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Comics One

I like to share. Over the course of this blog, I’ve shared my writings, some of my taste in music, and yes my love-life. However, one aspect that I consider very important to my identity has been rather neglected. I speak of my biggest hobby of all, my first love. Comics. There are many facets to the complexity that is me Ray, but if anyone is interested in truly knowing the core of my being then you must know that I am ultimately.. a bigass comic geek. I used to go to the comic shop every Wednesday. I used to scour for good deals at used bookstores and comic conventions. I collected thousands of periodicals across all genres, and filled my various bedrooms with dozens of boxes. At last count, I had about 40 boxes. They contain over a hundred issues each, do the math. I have less now, that’s another story, but still a ton of these back in my dad’s closet in Indiana of all places.

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Now imagine 40 of these.

To introduce this series detailing my great interest in the sequential art form, let me begin with profile links from my extensive Goodreads:

According to my Goodreads shelves, I have read over 1000 graphic novels (I think it’s more, that’s just what I recalled to list)
https://www.goodreads.com/review/list/765636?shelf=comics

There are all kinds, all genres. But I must admit mostly superhero- https://www.goodreads.com/review/list/765636?shelf=superhero

Split into DC and Marvel (I’m more into DC, least I used to be) https://www.goodreads.com/review/list/765636?shelf=dc https://www.goodreads.com/review/list/765636?shelf=marvel

Re: Superman
https://www.goodreads.com/review/list/765636?shelf=superman

Also, quite a lot of Japanese manga
https://www.goodreads.com/review/list/765636?shelf=manga

Such as the fun volumes of Shonen Jump https://www.goodreads.com/review/list/765636?shelf=shonen-janpu

The “God of Manga” Osamu Tezuka
https://www.goodreads.com/review/list/765636?shelf=tezuka

I do, of course, contend that comics are as literature as prose books Noting DC’s adult imprint Vertigo
https://www.goodreads.com/review/list/765636?shelf=vertigo

Indie as well, all that which defies classification https://www.goodreads.com/review/list/765636?shelf=indie

My favorite authors:

Grant Morrison
https://www.goodreads.com/review/list/765636?shelf=grant-morrison

Alan Moore
https://www.goodreads.com/review/list/765636?shelf=alan-moore

Warren Ellis
https://www.goodreads.com/review/list/765636?shelf=warren-ellis

Neil Gaiman
https://www.goodreads.com/review/list/765636?shelf=gaiman

Geoff Johns
https://www.goodreads.com/review/list/765636?shelf=geoff-johns

Toyshelf

Continuing with my geek out – see first post about casual gaming – I’d like to share my humble toy collection.

After a recent move, it was very important for me to get a new bookshelf to organize my toys. Not that I play with them, I’m a grownup, it’s just my version of decorations. To each their own, right?

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Where to start: Classic nime characters, nostalgic transforming robots of our youth, cute stuffed-iness… I only wish I had more. One day I shall complete my collection, one day.

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