“Da na na na NA NA!”
That’s supposed to be the X-Men Animated Series theme song. Remember that? If you’re a member of my generation, should be a fond memory…
Can’t you just hear the theme song?
Little did my early childhood self know, but there was a lot more to X-Men than that 90s Zeitgeist.
As detailed in my last post: My History of Comics, once upon a time in my adolescence I was given the awesome gift of about a hundred 1980s X-Men comics (as well as New Mutants and X-Factor spinoffs, more on that in a moment). Written by Chris Claremont, this was the crème de la crème of the superhero genre. It changed my reading habits — and hence, my life — forever.
Although these comics posts are mean to be about my experience, I will delve into the greater history of comics for a bit. In Marvel Comic’s “Silver Age” era in the 1960s, Stan Lee and Jack Kirby, that is, probably just Jack Kirby, created the X-Men. Cyclops, Angel, Best, Iceman, and Marvel Girl/Jean Grey. It was actually more of a failure compared to Fantastic Four and the Avengers at that time. Yet, in the late 1970s came the All New All Different X-Men and American superhero comics suddenly matured.
Dave Cockrum?
With an international cast, featuring the Canadian Wolverine and the African Storm as well as many others, it brought much-needed diversity to the superhero genre. In particular were the many strong, female characters. (Funny though it is that the X-Men were so feminist.)
It still pisses me off that the movies don’t get that. I’ll be complaining about the movies a lot in this post.
By the 1980s, the Uncanny X-Men were the best of the best. While Marvel was publishing a lot of cherished works, scribe Chris Claremont was building an amazing mythology unequaled with anything else out there. He took the metaphor of mutants-as-oppressed-minority and went with it unseen depths. He wrote with equal ease in outer space settings, as the alien Shi’ar Empire fought the Phoenix and the Brood. He wrote about magical concepts, with Colossus’s sister Illyana the ruler of the mystical demonic realm of Limbo. He was on fire, and he stuck with the characters on fire for 16 years from 1975 to 1991. Although, yes, if you wanna critique we was and is a very wordy writer.
My bundle of X-Mens covered about 180 – 240. But with many other heres-and-theres, I got the Dark Phoenix saga graphic novel collection and Classic X-Men reprints. The fun of collecting comics back then was to fill in the gaps and slowly piece together the greater story over the course of years. Then I got X-Factor 1 – 50, the spinoff featuring the original X-Men such as Cyclops, which covered many crossovers. As well as bunches and bunches of New Mutants.
The New Mutants, next generation of students at Xavier’s
By the time I hit the ground running, Magneto had joined the X-Men in issue 200 and then there was the Mutant Massacre and then for a darker period the X-Men had “died” in the Fall of the Mutants storyline in 225 and lived in Australia while being drawn by Marc Silvestri, and then the demonic Inferno crossover around issue 240 brought together X-Factor and others. Wow fun times!
Silvestri, love that art
Ray-Comics 