Previous: DC Comics – 2000s
It’s been said that the comics scene — American superhero comics specifically, at least –is too much of a boy’s club. There are some legitimate criticisms in that, and I hope the field will prove more inclusive in the future.
I did like Louise Simonson’s 80s X-Men spinoffs, and Ann Nocenti’s Daredevil. Persepolis by Marjane Satrapi in the more indie vein. I grew up with Rumiko Takahashi’s Ranma 1/2 as for Japanese manga. Japan has always had plenty of female-friendly markets, and independent comics are surely more diverse.
Yet I have to admit that throughout the 2000s, the largest bulk of my reading centered on mainstream comics (mostly DC) by these authors: Geoff Johns, Grant Morrison, and Mark Waid.
Do allow me to add one more to the list: Gail Simone!
And I hope I’m not coming across as too affirmative actiony here, I really am a big fan.
Ms. Simone started out gaining prominence in the scene with her Women in Refrigerators blog, making the point that violence against women is often a plot point to motivate the male protagonist. And that’s not a very cool thing if you want to get more readers of the other 50% of the population.
She started writing Deadpool for Marvel, though I never read it I have heard good things, helping to build up the popularity of the character who is getting a movie. Deadpool is dark comedy, which is one of Simone’s best styles.
She truly has a brilliantly sick sense of humor.
For me, it began with Birds of Prey by Chuck Dixon. The series was great, as previously mentioned Barbara Gordon had become crippled and turned her talents towards being a sort of superhero tech operator. She mainly sent Black Canary on Bond-esque missions.
Gail Simone took over the writing, and Oracle was further joined by Huntress and Lady Blackhawk. The series actually became even better.
There was a hiatus, and at the Brightest Day event she returned to Birds of Prey with a new number 1 and it was most certainly on my pull list. Although that only lasted 12 issues, because of Flashpoint. See why I don’t like reboots?
I enjoyed Birds of Prey plenty, and then I became a rather hardcore fan during the Villains United minseries as as part of Infinite Crisis crossover.
The premise was that all the villains were teaming up into a grand secret society, with an inner circle led by Deathstroke, Black Adam, Lex Luthor, and Talia al Ghul.
Villains United wasn’t actually about the society, it was about a ragtag group of villains who wouldn’t play along. Deadshot, from the old Suicide Squad I loved, and a re-amped Catman, Rag Doll, Bane, and the new character their leader Scandal Savage — the daughter of Vandal Savage They became the mercenary group Secret Six (I’d list all six, but it wasn’t stable as some died and were replaced).
I knew something awesome was in the works. Best antihero villains-themed cover ever. The Six eventually got another miniseries, and then a long-running series that I followed to the bitter end. More below.
Simone wrote Wonder Woman for a while there by the way, and it was very well-received. So rarely is the character done right, a lot of those mythological epics are hard to do well. The new mega-villain Genocide was introduced. With a tweaked origin and a barbarian saga in mind, ’twas no George Perez but still quite good.
And then I moved to China in late ’08.
I continued to read Secret Six throughout my time in China. I brought all my back issues with me. Bought the new ones at my comic shop in Hong Kong.